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Francesco Bonomo

Grand Theft Auto: New Sylvania

Recommended Posts

Francesco Bonomo

 

A Cebra, Money Over Bullsh*t, and Slimeball_Supreme collaboration

 

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Theme Song: In The Valley by Frankie Bonomo

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Welcome to the Commonwealth of New Sylvania in the 1970's-a groovy era where everyone is trying to have a good time with music, drugs, and every other vice the nightlife can offer.
 
You may think that life in small town, USA is nothing but quiet, peace and harmony, but this story will draw you into the darker side of New Sylvania - greed, corruption, temptation, and blood. Told through the eyes of Brooke-Meyer native Virgil Assante, a young and ambitious mobster with aspirations of reaching new heights with northeastern New Sylvania's Manganelli Crime Family.
 
Get involved in the more white-collar crimes in Romero, the dirty political wet-work in Kensington, or the easy balance of family life and extortion in Brooke-Meyer. Your goal is to reach the top of this small yet politically influential crime family during its golden age.
 
But be careful who you cross... one wrong move and it's lights out for you.

 

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The Protagonist

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Virgil Assante (born Virgilio Alberto Assante) also known as Virgil Right Hook (Born November 3rd, 1944) was an American gangster and member of the Manganelli Crime Family who is believed to be one of the organizers of the 1975 Pendlebury Train Heist, at the time, the most lucrative cash theft in New Sylvania history, and also believed to have committed multiple murders under orders of the Mafia.

  • Paul Keitel: Virgil's childhood best friend, as well as, Partner-in-Crime. He is the Ying to Virgil's Yang. The pair is inseparable and together, they are both immovable and unstoppable forces. Adopted by Virgil's parents in '59, he is considered as Virgil's Brother. During Virgil's service in Vietnam from '69 to '71, Paul has relocated to Henderson, Orion to work for The Jewish Mob as an Enforcer and Overseer of transactions. As of Spring of '71, he has moved back to his hometown of Brooke-Meyer working for the northeastern New Sylvania faction of The Jewish Mob.
  • Mario Polisi: Another one of Virgil's best friend and a distant cousin. Mario is actually from Alderney and moved to Brooke-Meyer at age 14. Virgil was his first friend. He becomes a Personal Driver for the Manganelli Family in the late-60's. Mario still has a slight Alderney accent that comes out when he is angry, which is often. He is very temperamental and that has gotten him in trouble numerous times in his teenage years, even well into his adult life.
  • Phil Costigan: The youngest of the group. Phil started hanging around Virgil and Paul at age 9. He was always a rebellious child, always looking for a fight, and never backing down from a confrontation. At some point during Virgil's tour in Vietnam, he joined the Arborton faction of Lenapia's Irish Mob working under his Uncle.
  • Ruben Nebish: Real name, Ruben Nebyzska, the head of the Henderson Jewish Mob. In his 30+ years as a Mobster, he has never spent a day behind bars. He has managed to operate at a huge level below the radar of the authorities. He made the move to Brooke-Meyer in 1965 to expand the Jewish Mob into New Sylvania. He is Paul Keitel's main employer.
  • Stefani Ferlito: A blonde Henderson Angel with eyes as blue as the Caribbean sea. She moves to Brooke-Meyer to get away from her dysfunctional family. She becomes the main love interest of Virgil Assante in 1971. She becomes his other half, his rock, and his spiritual mate. She vows to always love Virgil no matter what. But, she is also as crazy as Virgil at times.
  • Nancy McCarthy: Stefani's best friend since their teenage years. A rather energetic nightlife vampire with only a taste for the fast life. Quite often, she is seen in an intoxicating state whether from alcohol or drugs and she seems to enjoy that way of life. She becomes Paul Keitel's love interest in 1971.

 

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New Sylvania Crime Syndicates

Manganelli Crime Family (Northeast New Sylvania) The family that runs all of Northeast New Sylvania since 1954. A family with deep political connections hold power over the majority of companies in this region. Known as The Quiet Don, Donnie is loved by many but feared by his fellow Mafiosi.
Notable Members

Dovi Crime Family (Lenapia) More popularly known as The Lenapia Mob, run by Johnny "The Gent" Dovi. Dovi runs his family like a legit conglomerate using tactics to gain money and respect among politicians and business owners. Not known to be violent but they do have their bad eggs, such as their Capo, Santino "Sonny" Bardi Sr. Who is also Virgil Assante's Uncle.

Notable Members

LaTorre Crime Family (Havenburgh) Led by John LaTorre since 1956. Because of him, Havenburgh is the profitable monopoly it is today. At his current old age, he has slowed down quite a bit; However, he maintains his temper and spills as much blood as the other families. Currently recovering from the LaTorre/Grimaldi Unrest of 1968, relations between Havenburgh and Henderson are extremely fragile.

Notable Members

The B&D Gang (Lenapia) A ruthless bunch of Irish cowboys with only one goal in mind, independence. Shea Weeks desperately tries to take the gang, best known as The Irish Mob, to new heights away from the hooks of the Sicilian Mafia and other outfits using them as muscle. He starts his journey by establishing a chapter in Arborton as a source of steady income from burglaries and drug trafficking.

Notable Members

Families across America

The Commission

Liberty City, Liberty

  • Gambetti Crime Family
  • Lupisella Crime Family
  • Ancelotti Crime Family
  • Pavano Crime Family
  • Messina Crime Family

Upstate Liberty

Alderney

New Queensland

The Mid-West Commission

Iroquois

  • Couira City Outfit (Couira City)

Mascouten

Mason

Ohio

  • Grimaldi Crime Family (Henderson)

 

Marquetteson

  • Borelli Crime Family (Nagadawee)

Florida

Lemoyne

New Austin

San Andreas

Dorado

Kennedy

 

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The Commonwealth of New Sylvania is separated by Four major Districts. The North-East, The South East, Mid-Syl, and The Far West. Within these districts are multiple cities that make New Sylvania the unique it currently is. The game will also present other states such as Ohio, Liberty, and Alderney.

The North-East District

  • Romero - Known as The Bright City with all of its city lights shining the streets during all hours of the day. Is seen as a luxurious city to live in and a profitable location to open a business. Visit the landmarks that give this city its identity, such as the Welcome to Romero light sign built in 1922, the Baldwin Fountain in the center of town that is a beautiful work of art, and the Thibideaux Theatre located on Main Street where many artists have performed. Also, in between Romero and Brooke-Meyer is the Brooke-Meyer/Romero Intl. Airport located right on Interstate 18.
  • Brooke-Meyer - Although it may seem it is the ugly sister of the neighboring city, Romero, it does have a vital feature that Romero cannot offer. And that's the beautiful Catskill River. The residential areas are considered mainly upper-middle to lower-middle class with a heavy Italian, Jewish, and African-American community. Facing Kensington on the waterfront is Brooke-Meyer's most luxurious hotel, The Mallorie Hotel. Brooke-Meyer is also known as a party town. Visit the various nightclubs spread across town, partake in the debauchery, and stay out all night without a care in the world. Just be careful.
  • Kensington - Cross the Blackwater Street Bridge from Brooke-Meyer, cross the Catskill River and you will arrive at the visually beautiful town of Kensington. Home to the Kenzie Park, one of the biggest parks in New Sylvania, and home to the most prestigious restaurant in all of Northeast New Sylvania, La Isabella Ristorante. It is considered to be one of the more better towns to live in with its low crime rate and peacefulness that spreads across from corner to corner.
  • Mercer - Best known to locals as "Little Italy", where you will find an abundance of Italians along with their rich culture from foods to clothing. Located between Romero and Brooke-Meyer, it is recommended that no one crosses through that town looking for trouble. You will be dealt with, no problem.
  • Kennedy Plains - Located in the far west of Northeast New Sylvania. Kennedy Plains is mostly... plains, as the name says. Has the lowest populace in this region because of it's small residential areas. It mostly consists of plain fields used for farming. It's the country-side right next to the big cities Romero and Brooke-Meyer. Be careful roaming around the field at night, no one knows who or what can be hiding among the crops. Of course, it's just hearsay.
  • Mason Creek - Our little neck of the woods used for exploration and hiking. Nobody lives in the Creek. At the center of the Creek you will find a mesmerizing waterfall where people go to just take in the sights and watch the sunset. Who knows what roams about the woods, or should I say who knows who's buried in the woods?
  • Madison - Northeast New Sylvania's industrial park. All you will find is factories and warehouses full of workers. This is also where the labor union prospers.
  • Arborton - Located in the far south region. Arborton is a town that is not really considered "likable" for it's San Fierro like hills, its maintenance, and its crime rate which gradually increases as time goes by. It has an airstrip for the locals that own small planes and for people that go skydiving. 

The South-East District

  • Lennox - New Sylvania's own Empire City. The City of Lennox is the home of multiple Mob-run Casino's and Hotels throughout the 70's and 80's. A city of addictions, temptations, and non-stop craziness. The city is utilized by the Manganelli's, the Dovi's, and the LoTruglio's.
  • Collinstown - A small town with a heavy Italian presence bordering the city luxurious City of Lennox, the State of Alderney and the booming City of Lenapia. Collinstown hosts the Annual Italian Festival which is well known in the East Coast. Although Collinstown is Dovi territory, it is the residence of many mobsters from different cities.
  • Edenburg - The home of the East Edenburg University. Edenburg is considered the safest, most family-friendly city in the South-East, nevermind the countless college parties that occur every weekend. There is no mob activity in the town as far as citizens know. When in actuality, the Dovi's run a very lucrative loan-sharking business through the East Edenburg University Security detail. Sometimes college students need money, the Dovi's oblige.
  • Lenapia - The City of Independence. Lenapia is the biggest city in New Sylvania, also home to the Dovi Crime Family. In the 1970's, Lenapia is the place to be. Both Liberty City and Alderney would go through an economic downward spiral in the late 70's which would get many people to move to Lenapia. Lenapia's heavy population and mixture of cultures would be the result of making this city the metropolis it is today.

The Middle Sylvania District

  • Sylvania State College - The most prestigious college in New Sylvania with one of the best college football teams in America. 
  • Litchfield - Welcome to Amish Country. Thankfully they haven't claimed all of Litchfield. Mostly surrounded by cornfields and open road, but once you reach the heart of Litchfield, that's where all the craziness happens in Mid-Syl. Party with no worries. There are two syndicates running Litchfield. There's the Amish Union A.K.A. The Amish Mafia and the Heathen MC. Both are open to business but it must be by their rules.
  • Smithsburg - The Capital City of the Commonwealth of New Sylvania. With a population of 50,000+, it stands as the 5th largest city in New Sylvania. With Lenapia standing at number one with a population well over 1.8 million.

The Far West District

  • Aries - Named after Lake Aries. It is placed right in between Henderson, Orion and Monstresor, Liberty. Although it is considered LaTorre territory, that hasn't stopped the Grimaldi Crime Famly and the Pappalia Crime Family from establishing their own crews in the Lake city. Because of that and the high population of the city, crime is at an all time high with people indulging in gambling, drug trafficking, extortion, and murder.
  • New Carlisle - The historic town of New Carlisle lands right at the end of New Sylvania. Travel anywhere west of the town and you'll hit Burkestown, Orion. New Carlisle holds one of the biggest Irish communities in New Sylvania. Mob activity isn't known to be in existence in this town but the Irish do look after their own and aren't welcoming to outsiders.
  • Bagansville - The city time has forgotten. A remote town between New Carlisle and Havenburgh that is easy to miss and forget. Which makes it the perfect place for a mob hangout. The LaTorre Family conduct their bigger meetings in John LaTorre's mansion, known to them as The White House. Careful digging in the town soft soil, you are sure to find bodies.
  • Havenburgh - The home of the LaTorre Crime Family. Havenburgh is considered The Big City for a better future to the people of the Far West District. Any and every business is sure to be successful if you pay the LaTorre's a percentage each month. John LaTorre runs Havenburgh with an iron fist. No one can come and cause trouble and get away with it, they will sure be dealt with. As the "Burghies" say, the in West, the outlaws are the law.

 

State of Ohio

  • Burkestown - The city that borders The Commonwealth of New Sylvania; more specifically, Havenburgh. Here is where The Henderson Family also control the majority of Burkestown's businesses. Here is also where The Grimaldi/LaTorre unrest occurred, when Don LaTorre of Havenburgh began claiming turf on already established Grimaldi turf in the late '60's.
  • Henderson - One of Ohio's major cities, but it is Ohio's capital of the Mafia. The home of The Henderson Mafia Family, The Grimaldi Family, formed in the early 1900's as The Licata Crime Family until Summer of 1945 when Giant Joe Grimaldi became boss.

State of Liberty

  • Montresor - Home of The Pappalia Crime Family. The City of Montresor is known as The City of Light for its early embrace of electric power. Also considered a political powerhouse in the state of Liberty; with the exception of Liberty City.
  • Genesee - Home of The Luppo Crime Family, most known as The Wild Bunch within La Cosa Nostra. Genesee is seen as a calm residential town with some mom-and-pop businesses and warehouses. However, The Luppo's manage to accumulate millions a year from extortion and protection.

State of Alderney

  • Northern Alderney (Westdyke , Leftwood , Alderney City, and Berchem) - Home of The LoTruglio Crime Family, or simply, The Alderney Mob. Not known for its glitz and glamour like the neighboring, Liberty City, but it is a business hub for those that know how to manage it. The Alderney Family generates over sixty-million-dollars a year from their Alderney business alone.

 

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1971

  1. Prologue - Automatic - June 3rd - You are introduced to the main character, Virgil Assante, during his tour in Vietnam just moments before returning to his hometown of Brooke-Meyer, New Sylvania
  2. Welcome Home Virgil - Paul Keitel - June 4th - Virgil, alongside his long-time friends, go out about town to celebrate his glorious return from the war.
  3. Job Hunt - Paul Keitel - June 5th - Thanks to Paul's help, Virgil finds his first job since his return.
  4. Routine - Paul Keitel - June 9th - Virgil takes over Paul's routine work while he is away on business.
  5. First Date - Stefani Ferlito - June 11th - Virgil takes Stefani out on a first date.
  6. In and Out - Phil Costigan - June 17th - Virgil accepts a Breaking and Entering job alongside Phil Costigan and the local Irish Mob in Arborton.
  7. Blood Brothers - Phil Costigan - June 22nd- Virgil pays Phil Costigan a visit and accompanies him to see his brother, who has returned from Ireland. ***The Cost for a Cause - November 3rd, 1968 - Learn the reasoning of the bad blood between Phil and his older brother, Liam.
  8. Vengeance over Independence - Phil Costigan July 4th - Coming Soon
  9. What Happens in Silence... - Ruben Nebish - September 7th - Coming Soon
  10. Can Always Be Heard... - Ruben Nebish September 16th Coming Soon
  11. Blood Drive - Ruben Nebish - September 21st - Coming Soon
  12. December Wishes - Mario Polisi - December 1st - Coming Soon
  13. Frozen - Mario Polisi - December 10th - Coming Soon. ***What Comes Up, Must Come Down - August 23rd, 1967 - Coming Soon
  14. For Phil... - Mario Polisi - December 14th - Coming Soon
  15. Blood Stained Snow - Ruben Nebish - December 23rd  - Coming Soon
  16. A Torn Christmas - Stefani Ferlito - December 24th - Coming Soon

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Courier - The first set of side-missions you unlock after you complete "Routine". Paul Keitel will be your provider. Each task will involve calling Paul from a local payphone and reaching the destination of the Courier Car.

  • The Brooke Usual: All of your pick-ups and drop-offs will be based in Brooke-Meyer. A total of  3 pick-ups from Liberty City and drop-offs around Brooke-Meyer. Complete all runs and you will receive $150 per Pick-up and $200 per Drop-Off.
  • The Zimmerman Special: You must reach a junked car over at the Arborton junkyard. Once you make it, you have to sneak your way in, as the junkyard is riddled with local Arborton Police and State Troopers searching for the same item you're after. Once you reach the vehicle, you must search the trunk for a dufflebag filled with guns and heroin. You must then take the package to Pete Zimmerman's location outside of Arborton. He'll give you a big, yellow envelope filled with money ($1,000) that you can keep.
  • Detour: After meeting up with Pete Zimmerman in Kennedy Plains for a pick-up, he will inform you that his package has been stolen by a group of Polish Gangsters from Arborton and you must help him retrieve it back. You see their car on the highway going to Arborton and commence in a chase; you drive, Pete will shoot. Once they crash, you dive into a fight sequence and you must win the scuffle in order to retrieve the package. Once you do, you discover a duffle-bag of money (5,000 in singles and fives) in the trunk. You and Pete split it and you take it as payment. Report it to Paul and you will win $1,300 plus a new duffle-bag to store your walking around money. (Carries Max. 5,000. Be sure to upgrade it over time to fit more.)
  • Water Under The Bridge: Your next job is meeting up with an unknown fixer from the Mid-West who, due to his paranoia, chooses to meet under the Blackwater Street Bridge. When you arrive, you notice only one man sitting on a bench facing the river with a briefcase, placed under the bench. You approach him and sit next to him. He'll initiate a conversation to make sure you're the one he's waiting for. You suspect something strange because he is really nervous and keeps looking over his left shoulder towards a series of trees. Eventually, he'll snap and scream that he is Kensington Police and an entire squad of Police officers comes out from the trees. You punch the officer, knocking him down, and grab the briefcase. But you realize there's no way out. Your only escape is swimming across the Davenport River to Brooke-Meyer and escaping the police heat. Once you escape, you check the briefcase and see it contains two large packs of heroin. You call Paul via pay phone and he tells you it's hot and you can either dump it or sell it and make a nice profit. If you choose to dump it, go to the river where you can dump it. If you choose to sell it, you must store it in your safehouse. 

 

 

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A new weapon system is introduced in Grand Theft Auto: New Sylvania. The player can purchase weapons according to his/her eligibility. There will be 6 weapon classes, each with their own set of guns. The weapons listed below are color-coded with their class. The classes are for when you purchase the weapon or ammo from a fixer or a carpenter. If a weapon that is above your class is given to you, you can utilize it until it is out of ammo. You will not be able to pick up or purchase ammo, so choose your shots and make it last.

 

Credits to Cebra for the weapons

 

  • WHITE - Street Class
  • GREEN - Casual Class
  • REDEnforcer Class
  • BLUEProfessional Class
  • PURPLESpecial Class
  • GOLDMarkman Class

 

All credit goes to Cebra for the weapons listed from Bohemians & Blackjack

PISTOLS

  • .38 Revolver
  • H&L Model 25
  • .45 Revolver
  • Handgun
  • Scorpio .44
  • .22 Semi Auto
  • SNS Pistol
  • Ferdinand ACP
  • Cobra
  • Schnauzer Pistol
  • Vom Feuer JB7 (New Sylvania Add-on)

SHOTGUNS

SUB-MACHINE GUNS

  • Micro SMG
  • MAC
  • Mini SMG
  • H&L MS-83
  • PK61 (New Sylvania Add-on)
  • VM66
  • Gusenberg Sweeper
  • Grease Gun
  • Vom Feuer Mk. II

ASSAULT RIFLES

Ranged Rifles

  • Calvet Rifle
  • Woodstock A-66

SNIPERS

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The 1970's were a very experimental time when it came to making money on the streets and just plain, living your life. Maybe you don't have any warehouses yet, not to worry. The streets of New Sylvania offers an immense multitude of activities to kill time and make money. The various payphones spread around the state are one source of accessing these features. Others are word of mouth. Don't want to spread too much out on the streets. Stay frosty though; you never when you'll get attacked or called on while your guard is down. You've been warned.

 

The Social Club: Once you unlock Social Clubs, you have full access to any clubs where you are allowed in. Depending on the Families relations, you may, or may not, be allowed in certain social clubs. You can either avoid them or go in and risk a fight. If you choose the latter, you add to the heat level. Have high enough and you must roam about town looking over both shoulders. They will come after you and your money. So be very careful.

Heat Level:  GTA:NS introduces the Heat Level of both criminal and police. Works the same for both but the consequences are much different. Rise the Criminal Heal Level enough and you'll start being followed, staked out, even get tested to see if you'll back down. But if you do nothing, it'll go down on its own. However, if you continue to increase it, then they will take drastic measures to end your life. As for the Police Heat Level, rise it half-way, and you'll be messed with a lot more than usual. They'll pull over and muscle money out of you but won't arrest. Unless you rise it up, then they'll try their best to take you down. Dead or alive.

Investments: Once you have a nice amount of money at your disposal, you can look into investments. Such as purchasing run-down houses and shops to either use as stash houses, money laundering operation, or actually run an actual business. You can even make big investments towards New Sylvania's drug/car/clothing business. But invest wisely. You can easily get ripped and left broke. You can get loans from banks under different identities. Get too out of control, and all the debts will catch up to you.

Identity Theft: It was easy to do in the 1970's. You can use this feature to get loans from banks and credit unions in New Sylvania, Ohio, Liberty, and Alderney. Just don't get too sloppy.

 

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Enjoy the large variety of entertainment New Sylvania offers! From listening to today's hits on the radio to watching the latest film on the big screen. It's all there for your pleasure. Maybe you'd like to go on a drive and turn on the FM, listening to your favorite songs, making your trip an absolute dream. Or perhaps, you would prefer listening to your favorite songs in the comfort of your home. You can purchase albums at your local record store and let her rip on your vinyl player. And if you'd like, go ahead to the movie theaters and watch the latest Vinewood has to offer. Just know that boredom in New Sylvania, is not an option.

 

98.1 Electric FM

1971 - 1972

LED ZEPPELIN - Stairway to Heaven == CREEDENCE CLEARWATER REVIVAL - Have you ever seen the Rain == ROD STEWART - Maggie May == JANIS JOPLIN - Me and Bobby McGee == LORI LIEBERMAN - Killing me softly == AMERICA - A Horse with no name == JOHN LENNON - Imagine == THE DOORS - Riders on the storm == BREAD - If == DEREK AND THE DOMINOS - Layla == THE EDGAR WINTER GROUP - Free Ride == DOOBIE BROTHERS - Listen to the Music == MOTT THE HOOPLE - All The Young Dudes == ALICE COOPER - Schools Out == TODD RUDGREN - Hello It's Me == JACKSON BROWN - Doctor My Eyes == STEALERS WHEEL - Stuck in the middle with you == CARLY SIMMON - You're so vain == DAVID BOWIE - Starman == AMERICA - Ventura Highway == SEALS & CROFTS - Summer Breeze

1973 - 1974

DOOBIE BROTHERS - China Grove == STEVIE MILLER BAND - The Joker == NICE GUY - No More Mr. Nice Guy == CHICAGO - Feeling Stronger Everyday == STORIES - Brother Louier == STYX - Lady == THE DOOBIE BROTHERS - Long Train Coming == BRUCE SPRINGSTEEN - Spirits of the Night == DOLLY PARTON - Jolene == ELTON JOHN - Candle in the Wind == JONI MITCHELL - Help Me == LINDA RONSTADT - You're No Good == QUEEN - Killer Queen == REDBONE - Come and get your love == JACKIE BLUE - Ozark Mountain Blues == BAD COMPANY - Can't get enough == JIMMY BUFFETT - Come Monday == DAVID BOWIE - Rebel Rebel == BACHMAN TURNER OVERDRIVE - You ain't seen nothing yet == KISS - Deuce

1975 - 1976

THE SWEET - Ballroom Blitz == DWIGHT TWILLEY BAND - I'm on Fire == THE CARPENTERS - Only Yesterday == QUEEN - Bohemian Rhapsody == AMERICA - Lonely People == ELECTRIC LIGHT ORCHESTRA - Can't Get it out of my Head == THE EAGLES - One of these Nights == NIEL SEDAKA - Laughter in the Rain == FRANKIE VALLI - My Eyes adored You == ELTON JOHN - Lenapia Freedom == KISS - I Wanna Rock n Roll All Night == FOGHAT - Slow Ride == ELECTRIC LIGHTS ORCHESTRA - Evil Woman == BAY CITY ROLLERS - Saturday Night == AREOSMITH - Dream On == COUIRA CITY - If You Leave me Now == CAPTAIN & TENILLE - Lonely Night == NAZARETH - Love Hurts == HALL & OATS - Sara Smile == ELTON JOHN - Don't Go Breaking my Heart

1977 - 1978

1979 - 1980

1981

 

The Groove 106

1971 - 1972

1973 - 1974

1975 - 1976

TAVARES - Only Takes a Minute == AL GREEN - Sha-la-la == B.T. EXPRESS - Do It == EARTH, WIND, & FIRE - Shining Star == AVERAGE WHITE BAND - Pick Up The Pieces == CARL DOUGLAS - Kung Fu Fighting == THE BEE GEES - Jive Talking == THE OHIO PLAYERS - Fire == STEVIE WONDER - Boogie On Reggae Woman == MINNIE RIPERTON - Loving You == CANDI STATON - Young Hearts Run Free == EARTH, WIND, & FIRE - The Getaway == HAROLD MELVIN & THE BLUE NOTES - Wake Up Everybody == TAVARES - Heaven Must be Missing an Angel == THE O'JAYS - I love Music == KC AND THE SUNSHINE BAND - That's The Way I like It == DONNA SUMMER - Love to Love You Baby == VICKI SUE ROBINSON - Turn The Beat Around == THE COMMODORES - Sweet Love == DIANA ROSS - Love Hangover == THE FOUR SEASONS - December, 1963

1977 - 1978

1979 - 1980

1981

 

El Dorado FM

1971 - 1972

1973 - 1974

1975 - 1976

1977 - 1978

1979 - 1980

1981

 

Redemption Radio

1971 - 1972

1973 - 1974

1975 - 1976

1977 - 1978

1979 - 1980

1981

 

The Vault 88.9

1971 - 1972

1973 - 1974

1975 - 1976

1977 - 1978

1979 - 1980

1981

 

Edited by Francesco Bonomo

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Francesco Bonomo

 

MISSION 1: Prologue - June 3rd, 1971

 
A clear view of the bright blue sky; a high-noon sun striking the screen with its brightness. The screen pans downwards showing an almost tropical setting; an abundance of trees in a green field with a dirt road in the middle with tire tracks indicating that many heavy vehicles have driven this same road. The theme song and the credits commence.
 
Art Director
Francesco Bonomo
 
 
Concept Artist
Francesco Bonomo
 

A pan over the general area. An aerial view of the jungle with a warplane flying over.

 

Lead Character Artist
Francesco Bonomo
 
 
Written by
Francesco Bonomo
 
Music Director
Francesco Bonomo
 
Lead New Sylvania Map Artist
Francesco Bonomo
 
Rapid gunshots are heard from a distance. The screen pans over to the Asian drivers' point of view, showing a military jeep rushing down in the opposite direction. The screen zooms in to see our protagonist driving erratically with an NVA mobile unit with two men chasing after him.
 
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The theme song ends and Guitar Man by Elvis Presley
begins playing, giving the consumer an adrenaline filled, blood-pumping ambience of fear and desperation. As our protagonist tries to remain calm enough to maneuver the sharp turns, an NVA officer begins shooting his assault rifle at the vehicle. Virgil ducks down to avoid getting hit and in a taunting manner, gives the officers the finger. Seeing that the NVA officers are getting real close, Virgil makes a sharp right turn on a road of an open field under the impression he has lost the pursuers. At this moment, you gain control of the Jeep and rush down this road. In a frustrated tone, you will hear Virgil exclaim-
 
"F*ck, f*ck, f*ck!"
 
After turning at the end of the road, you feel as if you are not alone. Looking behind and you will see the same NVA jeep rushing towards you.
 
"Oh, f*ck me!"
 
Take whichever road you prefer to escape, but keep in mind, you are unarmed. Once you lose the pursuers, a brief cutscene will begin, showing Virgil in a more calm state. He slows down and closes his eyes as he regulates his breathing. Unknowingly, he is heading straight for a tree at a bend. He opens his eyes on time to turn the jeep but he accidentally flips it over, tossing him out of the vehicle as it tumbles down a small hill.
 
Dazed and confused, he gets up from the ground and sees the jeep completely destroyed. He mutters under his breath-
 
"Sh*t."
 
He looks around his surroundings and sees a miracle, his military camp
just at the bottom of the hill. As he commences to make his way, a jeep is heard braking abruptly. Virgil notices it's the same pursuers.
 
"These f*ckers don't give up, do they?"
 
Virgil ducks down and hides behind a rock. The distance between Virgil and the camp seems about three miles, but he must get there without being compromised. Doesn't seem easy as more NVA officers are spread around his location in search of him. You gain control of Virgil and the stealth mechanic is now introduced. You must plan your next move carefully as you get through the enemies armed with assault rifles.

 

You can throw objects towards the opposite direction to distract whoever is near. This will, however, apply pressure towards the search, so do not make it a habit.
 
Patience is key in this situation. You must wait for an opening to get through. If you are seen, a rain of bullets will drop upon you... Killing you almost in an instant and you have failed.
 
Once you have reached the point of safety, you can make your way to the camp without any interference but still be aware of your surroundings. Be alert for any sounds around you.
 
Once you have gone through this maze of fear and panic and have reached the camp, Virgil is introduced by his fellow soldiers with their rifles pointed at him, even after he has made yourself known to them. He comes to a stop in the middle of the camp when he sees his Commanding Officer coming his way at a rather frustrating pace. Virgil will stand at attention and salute.
 
"Corporal Virgil Assante reporting, sir!"
 
The Commanding officer will take a brief moment of silence to analyze Virgil's sloppy appearance. He is in his tank top which is full of dirt and dried up blood.
 
Sgt. Killebrew: What is the meaning of this, ASS-ante?
Virgil: Sir?
Sgt. Killebrew: You abandoned your post last night once again, didn't you?
Virgil: I did not, sir.
Sgt. Killebrew: Are you calling me a liar, ASS-ante?
Virgil: No I'm not, sir.
Sgt. Killebrew: Well, even if you're being abso-f*cking-lutely truthful with me and your company, it won't amount to sh*t.
 
Ending that statement with a drizzle of spit shooting at Virgil's face-
 
Sgt. Killebrew: Don't think I don't know about your little side-business you got here.
 
Virgil's face goes from serious to worried.
 
Sgt: Killebrew: In your absence, we found one of your followers wearing a Russian neck-tie just outside the perimeter. I can't even imagine the fact that Charlie has stepped foot in our safe haven and killed one of ours. Like nothing.
 
Sgt. Killebrew gets up close and personal with Virgil.
 
Sgt. Killebrew: You are done. You hear me, wop? You. Are. Done! I want your sh*t packed and out of here in fifteen minutes. Do I make myself clear, guinea?
 
Virgil now becomes enraged and in a swift motion, he punches Sgt. Killebrew. Punching just a couple of times more until he hits the ground. The surrounding soldiers get Virgil off Killebrew and escort him to the exit. Outside is a recon unit waiting on Virgil to take him to a plane to fly him back home.
 
The screen transitions to the military plane already mid-air showing Virgil looking out the window seeing the blue sea. He rests his head back and closes his eyes. The screen will fade to black imitating Virgil. The pilot will then announce-
 
"We are now approaching New Sylvania."
 
The screen clears back and Virgil wakes up. He looks out the window, this time to see The State of New Sylvania , his home. People are seen walking down the main street of Brooke-Meyer , traffic is dense Downtown, and you can hear the liberating music of The Doors in the airwaves.
 
Skip ahead to Virgil exiting the airport and hailing a taxi-
 
Virgil: Hey, could you take me to Downtown Brooke-Meyer? Right on the Square?
Driver: You got it.
 
The taxi will pull out and make its way to I-18 South. We get a full view of the city of Brooke-Meyer. Its shopping centre, the restaurants, and the densely populated Wilkes Square, where Virgil is dropped off. After he gets out of the taxi, he stands in the middle of the square. Looking around and he sees a different Brooke-Meyer. There are more people and the fashion has changed greatly.
 
He reaches into his jacket and pulls out a cigarette. Realizing he doesn't have a lighter, he stops a random commuter and asks him if he has a lighter to which he responds yes and lights his cigarette. Across the square, Virgil notices a payphone, reaches into his pocket once again to find coins then makes his way to it. He puts in the required amount to make a call then dials an old number he remembers. After ringing three times, someone answers-
 
Man: Who's this?
Virgil: This still the number for Paul Keitel?
Paul: That all depends. Do I owe you money or did I f*ck your wife and/or girlfriend?
Virgil: Uh, no.
Paul: Then who the f*ck is this and how do you know my name and number if I didn't f*ck your girl?
Virgil: Paul, you Jew asshole, you haven't changed a bit.
Paul: You sure I didn't f*ck your-
Virgil: No you didn't. That all you're known for now?
Paul: Pretty much. So what do you want?
Virgil: Uh, son of a b*tch, it's f*cking Virgil!
Paul: As in, Virgil the Italian sh*thead ASS-ante!?
Virgil: Go f*ck yourself you Jew prick.
Paul: Holy f*cking sh*t, brother! Where are you?
Virgil: At the Square. Can you pick me up?
Paul: I'm on my way right now. Don't move.
Virgil: Alright. See you soon.
 
Virgil will sit on a nearby bench to wait for Paul. It will fast forward to the moment Paul arrives.
 
Paul will arrive in his Vapid Olvido and park across the street. When he gets out you see a man with long hair and a beard and wearing glasses. His clothing is the typical 1970's fashion with the wide collar and bell-bottoms. At full height, he is a couple of inches shorter than Virgil. He walks with a slight yet noticeable limp from his right leg. He crosses the street and meets up with Virgil.
 
Paul: Virgil f*cking Assante!
Virgil: Paul f*cking Keitel!
 
The two have a hug and pat each others back.
 
Paul: God. It's so good to see you. How long has it been?
Virgil: It's been 4 long years, Can you believe it?
Paul: No. This whole time I thought you'd be dead in a ditch getting pissed on by a China-man.
Virgil: You'd love that wouldn't you, you sick bastard.
Paul: It would save me a trip to the funeral.
 
The two share a very heart-warming laugh.
 
Paul: Now can we get the f*ck out of here? I need a drink.
Virgil: Alright. Let's go.
 
The pair make their way to the car, to which Virgil comments-
 
Virgil: Nice ride, man.
Paul: Thanks. She hasn't failed me yet.
 
They get in the car with Virgil in the Passenger seat. They have a conversation during the car ride.
 
Paul: So you on leave?
Virgil: Actually, no. Got discharged.
Paul: You don't sound too happy about it.
Virgil: Well it's just, I dedicated three years of my life to serve my country and I didn't get far going by the book.
Paul: By the book? What, did you start selling drugs to the blacks?
Virgil: You're not far off.
 
Paul stops at a red light and looks over at Virgil with a concerned look.
 
Paul: No sh*t.
Virgil: Yeah. A real American soldier in the drug trade.
Paul: Well, what did you move? Weed? Coke?
Virgil: Heroin.
Paul: The big league, huh.
Virgil: It's a dirty business controlled by greedy men with no remorse.
Paul: I'm guessing you done killed a few of them for trying to f*ck with you, huh?
Virgil: Actually, no. Never.
Paul: Wait, what? You went to fight in a war and you didn't kill anyone? What, you going all "Thou shall not kill" or what?
Virgil: It's not that. Just never been put in a situation where I had to kill. Been chased a few times but never had to pull the trigger.
Paul: That's a very cute story.
Virgil: F*ck you.
 
They will arrive at Paul's residence, an old apartment building with a dark brown hue, and park at the private parking lot besides the building. They will make their way upstairs to the fourth level and enter Paul's apartment. A small apartment with the lights off but dimly lit by the multiple lava lamps spread across the living and kitchen area.
 
Paul: Welcome to the castle of Lord Keitel.
Virgil: This a nice place, Paul. How long have you lived here?
Paul: About a year. After I moved back from Henderson.
Virgil: Henderson?
Paul: That's a story for another day. But right now, I know you're tired and need a shower. I got a guest bedroom mainly used for questionable orgies so you can sleep on that. And I'm sure you can find the bathroom. If not-
Virgil: I got it, dick.
Paul: Well alright then. I'm gonna head out and do some errands. You can stay here as long as you need. Just have one condition. Anything involving drugs and prostitutes, please share.
Virgil: I'll uh, try to keep that in mind.
Paul: Perfect. Now get comfortable, alright buddy. I'll see you later.
Virgil: See ya man.
 
Paul will leave and you are now in your new safehouse. You can shower and change your clothes, eat whatever is in the fridge, or sit down and turn on either the television or the radio. You have access to everything in your safehouse. Feel free to explore it more before going to your bed to sleep which will save the game and advance to the next day.
 
Once you have saved your game, you have completed the mission.
 
MISSION PASSED
$25
 
Edited by Francesco Bonomo

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MISSION 2: Welcome Home - June 4th, 1971

 

Once you wake up the next day and make your way to the living room, you will notice Paul sleeping on the floor. Virgil gives him a slight kick to his side to wake him up, Paul wakes up immediately-

 

"What the f*ck?"

 

Paul turns and sees Virgil standing over him with a grin.

 

Virgil: I'm guessing you and the bed got into a fight?

Paul: So you got jokes now?

Virgil: Only on Friday's.

 

Paul gets up and fixes himself.

 

Virgil: The hell happened between the moment you left last night and now?
Paul: I had a long night. Let's just leave it at that.
Virgil: Okay, not suspicious at all.
Paul: No, not at all.
 
The two head towards the kitchen and prepare some breakfast-
 
Paul: I got some hoagies's in the fridge if you want 'em.
 
Virgil will go through the fridge and get one of the sandwiches and starts eating it right away. Paul, however, grabs a Cabot Premium beer and drinks it.
 
Virgil: Really?
Paul: What?
Virgil: It's 10 AM.
Paul: A Cabot a day, f*cks you up the right way. You want one?
Virgil: Maybe later.
Paul: Wow, okay I see. Getting a little weak in your old age.
Virgil: Old Age?-
Paul: I mean, if you're missing the proper equipment between your legs then, my condolences.
Virgil: Now you're the one with jokes? You know what? Give me a goddamn beer. I can guarantee you, I can finish it before you.
Paul: Is that a Chug-llenge?
Virgil: Yes, it is.
Paul: Very well, worthy opponent. Prepare for your loss.
 
Paul grabs two more beers and hands one to Virgil.
 
Paul: To the winner, the spoils.
Virgil: To the loser, the sh*tter.
 
This is when a new mechanic gets introduced, the beer chugging mini-game. You must wait until your opponent gives the word to begin. Once he says it, press R2 and Virgil will bring his drink up to his face and commence drinking. It is at this moment you must hit the button sequence as it pops up in the middle of the screen. Missing a button will slow down Virgil's drinking. The more buttons you miss, the more complicated the sequence will get, if you miss more than 60%, Virgil will stop drinking, making you the loser automatically. Hit everything right and on time, you'll receive golden points which will help Virgil drink faster.
 
If you lost:
 
Paul: Ha! Nice try Marine Boy. But Lord Keitel is the Messiah of the drinkers.
Virgil: Lucky win, you f*ck.
 
If you won:
 
Virgil: Still taking sips, huh? I told you, Paul, you can not out-drink me. How does it feel to lose every single time?
Paul: When you're not looking, I'm gonna arrange a f*cked-up reunion with that bottle and your ass.
Virgil: Flirting will get you nowhere.
Paul: F*ck you.
 
After the mini-game is finished-
 
Paul: So what you gonna do today?
Virgil: I don't know. I'd like to visit my parents. Maybe find Mario and Philly.
Paul: Well, go ahead. Mario lives on Hannah Street now. You remember Lenny?
Virgil: Yeah. The skinny guy with the hot sister.
Paul: Yeah well- Wait you actually thought she was hot?
Virgil: Uh, no of course not.
Paul: Anyway, Mario lives in Lenny's house now.
Virgil: Okay. What about Phil?
Paul: Last I heard, Phil was doing a small bid.
Virgil: State?
Paul: County. Nothing big. I don't know if he's out or not. And of course, your parents are still at the same place.
Virgil: Cool. Can you give me a ride?
Paul: I would, but I'm late for work. There's a bus stop right on the corner that takes you straight to your parents and Hannah Street. It's only a quarter.
Virgil: Alright. So, what's your job?
Paul: Male prostitute.
Virgil: Sometimes I wonder if you're joking or not.
Paul: Wouldn't you like to know.
 
The two share a laugh.
 
Paul: Alright Bud, I gotta head out. Meet me over at Teberio's later with Mario.
Virgil: Sounds like a plan. See you then.
 
You now have control of Virgil and you are given the objective to visit your parents house by bus. Step outside and see Paul's block, Gerald Street. This is your home. 78 Gerald Street is your address and the parking lot at the side of the building is where your default vehicle will spawn. You can also save maximum three other street vehicles, but if you haven't payed for it then it will only be saved temporarily. Right on the corner is the bus stop Paul mentioned. They spawn every fifteen to twenty-five minutes in-game. Walk up to the bus stop and wait for the bus to arrive. Once it does, press "Triangle" to enter and Virgil will automatically pay the toll and sit down. You can change the camera from First Person to Cinematic. Your map will show the current bus route you are on. Keep a close eye at your destination and the bus stop near it. Once you are close to your destination, press "Triangle" again and the bus will stop at the next stop. You will get off and you walk to a white single-family house and step on the mission indicator. A cutscene will commence. Virgil is seen knocking on the door and through the glass pane, you can see someone coming towards the door. Virgil's mother answers-
 
"Virgil!"
 
Virgil and his mother have a hug-
 
Mona: I can't believe my boy's home.
Virgil: Hey Ma, how you been?
Mona: I been good. Oh, come in, come in.
 
Virgil enters the house and takes off his military coat.
 
Mona: Wait til your father sees you, he is gonna be so happy.
Virgil: Where is he?
Mona: In his room, sleeping.
Virgil: Still?
Mona: He came home late last night, again.
Virgil: Still drinking?
Mona: Yeah, but he's gotten better over time. Don't bring it up, he'll just swear up and down that he's okay.
Virgil: It's alright Ma, I won't say anything.
Mona: Alright. Let me call him down.
 
She will make her way upstairs yell out her husbands name-
 
"Pazzo! Wake up!"
 
Virgil will sit on the couch waiting for his father to come down. He looks around and sees old family photos. He looks at one where he was a kid standing alongside his father in Wilkes Square with "Summer of '53" written on the bottom-right corner. He sees another of his parents wedding from 1943. It shows their younger selves smiling with such happiness, something that Virgil hasn't seen in a long time. The last photo he sees is of him, Paul, Mario, and Phil standing together smiling in 1967, the day before Virgil was shipped to Vietnam. Someone begins talking to Virgil's surprise-
 
 
: Good times. huh?
Virgil: Hey Pop.
 
The two have a heartwarming hug.
 
Pazzo: Welcome home, Son. How you been?
Virgil: Alive, Pop. They couldn't get me.
Pazzo: And they never will.
 
 
 
 
They share a laugh and the screen will zoom out to the front of the house and time will forward up to the moment Virgil leaves.
 
Virgil: I gotta go, Ma.
Mona: Where are you gonna sleep?
Virgil: Paul's place. He's helping me.
Mona: Paul? Paul Keitel?
Virgil: Don't start, Ma.
Mona: I've been telling you for years, Paul is nothing but trouble.
Virgil: But he's also my best friend.
Mona: Just promise me, you'll be careful. Don't let Paul get you into any more bullsh*t.
Virgil: I'm a grown man, Ma. I'm careful.
Mona: Well I'm glad.
 
They have a hug-
 
Mona: Be sure to visit us. We're always here.
Virgil: I will, Ma. I'll call you later.
 
Virgil steps out of the house and walks towards the bus stop once again. Wait for the bus to arrive. Once it does, you enter and head towards your next destination, Mario's house. Once you get there, you will see Mario on his drive-way working on his 1971 Barbican Jet. Virgil will approach him.
 
Virgil: I didn't know we can chop cars on our driveways now.
 
Mario turns around and notices Virgil-
 
Mario: Virgil, holy f*ck! I can't believe you're back.
Virgil: How's it going, Mario.
 
The two have a hug and share a laugh. Mario screams towards his house-
 
"Yo Philly! Get out here!"
 
Phil Costigan is seen coming out of the house and rushes to Virgil and gives him a hug.
 
Phil: Virgil f*cking Assante! Glad to see you're not dead.
Virgil: Philly, you've certainly grown.
Mario: Yeah, he thinks he's a big man. But he's still the little bitch following us around.
Phil: Hey, f*ck both of you.
Virgil: Hey Phil, Paul said you was doing a bid and didn't know if you were out or not.
Phil: I actually got out yesterday. Mario got me.
Virgil: What were you in for?
Phil: Burglary. Only did six months.
Mario: I keep telling him to stop getting caught or else he'll be inside for years rather than months.
Phil: And this, children, is why you need a good reliable crew.
Mario: That's true. But look, f*ck this reminising bullsh*t. Let's get a drink. Where you guy wanna go?
Virgil: Paul said to meet him at Teberio's.
Mario: Teberio's it is then. Let's go.
Phil: I'll meet you guys there. I gotta take care of a couple of things.
Mario: Alright, we'll see you there. Let's go, V.
 
Phil walks away and Mario and Virgil walk towards Mario's car.
 
Mario: You wanna drive?
Virgil: Really?
Mario: Say yes before I change my mind.
Virgil: Alright, alright.
 
Mario hands Virgil the keys and you are now able to drive. Familiarize yourself with the driving controls then make your way to Teberio's. During the ride-
 
Virgil: Can't believe how much this city has changed in only four years.
Mario: Yeah. A lot has changed, but for the better.
Virgil: You look like you're doing well. Living in a good house, driving this nice car. You've done alright.
Mario: It comes with the territory. But actually, all of us are doing well. I got some things going on that I'm profitting from. Philly got something going on. But Paul, got a big thing going on.
Virgil: Like what?
Mario: If he hasn't told you, I ain't saying a word.
Virgil: Fair enough.
 
Follow the marked route on your map to your destination. Once you arrive, a cutscene will begin. You walk in and notice the groovy dim-lit lighting with a variety of colors transitioning and some great rock music coming out of the jukebox. Walk towards the end of the bar where Paul is sitting already. You will have a seat next to him 
Teberio's, a hotspot for the young adults to let loose.
 
Paul: There you guys are. I already had three beers waiting for you jackasses.
Virgil: So you waited five minutes. That's nice.
Paul: Where's Philly?
Mario: He'll catch up with us. Let's get a drink.
 
You can order whatever you want: Beer (Pisswasser, Cabot, and Clover) or Liquor (Whiskey, Rum, Vodka, Scotch) They will be paid by Paul and Mario this time. Once you choose your drink and it is given to you, the trio will prepare for a toast. At that moment is when Phil will walk in and join you. His drink is already ordered and he joins in the toast.
 
Paul: To our best friend, Virgil Assante. We thank God and whoever us Jews worship, for getting you back to us safe.
Mario: Here's hoping you can achieve whatever goal you have. You've always had that drive and I know you'll get far.
Phil: We love you Virgil, and we wanna see you prosper.
All Three: To Virgil f*cking Assante!
 
 
Everyone takes their drink.
 
Virgil: Thanks guys, I really do appreciate this.
Mario: Enough with the p*ssy talk. Let's get another round.
 
The group will spend hours drinking as the time fast-fowards til they decide leave. They are all heavily intoxicated.
 
Paul: [slurred] I got an idea. Let's head back to my place, take some of these girls with us and have a real party. What do you guys say?
Virgil: [slurred] Let's do it.
Phil: [slurred] F*cking A, let's do it.
Mario: [slurred] Well, how can I say no to that? I'm in. You guys want a little pick me up?
 
Mario will take out a small bag of cocaine and show it to the group.
 
Paul: Put that back. We can't do it here. Let's go to the bathroom. You guys in?
Phil: I'm in.
Paul: Virgil?
Virgil: Let's do it.
 
The group make their way to the bathroom. Mario sets up four rails of cocaine on the edge of the sink. He rolls up a twenty-dollar-bill and consumes one line. He then passes it to Phil and he will do the next line. Same with Paul and Virgil. After taking the cocaine, the screen has a bright effect, almost like a filter. It affects your movement, your balance, and how you speak.
 
Virgil: I got an idea. Let me see the bag.
 
Mario hands Virgil the bag of cocaine.
 
Virgil: Wait here.
 
Virgil steps out of the bathroom and notices a table with four women. He makes his way towards them. He grabs their attention-
 
"Excuse me, but you girls are exactly what I'm looking for. Would yous' care to help a Vietnam Vet have a good time tonight?"
 
The girls laugh
 
Nancy: And if we say yes, you gonna handle all four of us?
Virgil: Oh I could, trust me. But no, I only need one. And it's the one I'm looking at right now.
 
Virgil grabs the attention of a blue-eyed blonde girl
 
Virgil: What's your name?
Stefani: Stefani. What's yours?
Virgil: I'm Virgil The Vietnam Vet.
Stefani: Well Virgil The Vietnam Vet, nice to meet you.
Virgil: Like-wise.
 
Virgil looks around the table
 
"You girls interested in a little pick me up?"
 
Virgil shows the girls the cocaine-
 
Nancy: That kinda party, huh? I'm in. Girls?
Nicole: Yeah, let's do it.
Cici: Sounds like fun. You coming Stef?
Stefani: ...Yeah. Let's go.
 
They all head towards the bathroom where Paul, Phil, and Mario are already at.
 
Nicole: Now it's a party.
 
The group continues to consume the cocaine. Phil and Cici begin kissing quite intimately, Nancy and Paul seem to be close, Nicole and Mario hit it off right away. Virgil puts his arm around Stefani-
 
"You ain't used to this are you?"
 
Stefani hesitates to answers out of embarrassment.
 
Virgil: It's okay, I don't care.
Stefani: I do it sometimes, just not a lot.
Virgil: I'm the same way. It's no big deal.
Paul: Hey everyone, party at my place!
 
Everyone agrees and they head out. Everyone gets in their cars and follow Paul to his place. Once you have arrived, Paul will put on the music and break out the liquor. Here you have the chance to get to know the girls more by initiating conversations with them. Once you're done with that you can talk to Stefani who is in the kitchen area drinking with Nancy.
 
Virgil: Mind if I join you?
Stefani: Not at all.
 
Stefani prepares two shot glasses and hands one to Virgil. They take the shot and share a moment as they stare into each other's eyes. Stefani grabs the bottle-
 
"Want another shot?"
 
Virgil will agree to it. Another two shots are served by Stefani and they drink it. Once they both put their glasses down, they share another moment again. Virgil reacts this time and goes up to Stefani and kisses her. The screen pans over to the rest of the party, doing a 360 then fast-foward to the next morning when everyone is asleep. Paul and Nancy sleep naked covered by a bed sheet on the living room floor. Mario and Nicole are also naked and asleep on the couch covered by their loose clothes. Phil and Cici are found in the bath tub, again, naked and sleeping. Virgil and Stefani are in the guest bedroom, also naked and sleeping. Virgil is the first to wake up and noticed Stefani on his bed. He smiles as a way to congratulate himself. As soon as he gets up from bed and puts clothes on, you have passed the mission.
 
Mission Passed
Edited by Francesco Bonomo

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MISSION 3: Job Hunt - June 5th, 1971

 

Virgil is seen in the kitchen drinking coffee while everyones asleep. Stefani wakes up wearing only a white button-down white that is too big for her and makes her way to the kitchen towards Virgil. The two share an intimate look.

 

Stefani: Hiya Stranger.

Virgil: Hiya Back.

 

Virgil serves Stefani a cup of coffee and they sit down and talk.

 

Virgil: That was quite a night, last night.

Stefani: Yeah, it was.

Virgil: The perfect welcome home party with the perfect blonde alongside me.

 

Stefani looks down at her coffee to hide the fact she is blushing from Virgil's compliment.

 

Stefani: Oh stop it. I'm not perfect.

Virgil: Don't do that.

Stefani: Don't do what?

Virgil: What you just did. You are the most beautiful woman I've ever seen in my life apart from Paul when he wets his hair.

 

Stefani and Virgil share a laugh as they sip their coffee. They soon get silent and stare into each others eyes. Virgil looks deep into her bright blue eyes feeling enamoured. Stefani caresses Virgil's left side of his face with her hand. It's clear they want each other, so they lean towards each other to share a kiss. As they're face-to-face... Paul interrupts-

 

"What in the f*ck are you two doing? Falling in love? That's a no-no in Lord Keitel's Castle."

 

The two lean back and continue to drink their coffee.

 

Paul: Did I interrupt something?

Virgil: I hate you.

Paul: Aww Virgil's getting all touchy-feely with his new blondie.

Stefani: Quite the gentleman.

Paul: Better believe it Blondie.

 

Paul gets up and enters his bedroom and changes into more appropriate clothes. Nancy will also wake up-

 

"There any vodka? In this case, even rum will do."

 

She stands up completely naked in front of Virgil and Stefani, and also Phil who has just woke up.

 

Stefani: Nance, are you serious?

Phil: Yes. She. Is.

Virgil: Cover your eyes, Philly.

Phil: Oh f*ck you Virgil, if it's there, I'm f*cking looking.

 

Paul comes back to the living room-

 

Paul: Whoa, ready for round four?

Virgil: Four?

Stefani: Nance, can you please put some clothes on.

Nancy: It's not like they feel weird seeing me naked, do you, boys?

Phil: Define weird.

Paul: That is my sugar bowl, Phil. You got your own.

Stefani: That's it. Come with me.

 

Stefani will take Nancy to Pauls bedroom and help her get dressed.

 

Paul: Hey Blondie, me and Virgil gonna head out. Yous gonna be okay?

Stefani: Yeah.

Virgil: We're going out?

Paul: Yeah, let's go.

 

The two make their way to the door. Paul quickly stops his tracks and turn around-

 

"Make sure you leave her panties on my nightstand. Thank you."

 

Now they leave and enter Paul's car.

 

Paul: You drive.

Virgil: Where to?

Paul: Coolbaugh Meat Packing.

Virgil: That's all the way in Madison.

Paul: I'm aware.

Virgil: Okay.

 

You are given the objective to drive to the Madison Industrial Park. During the ride, Paul will initial conversation.

 

Paul: So.

Virgil: So.

Paul: Sooo, that blondie. How was she?

Virgil: Really?

Paul: What?

Virgil: That's a little personal, don't you think.

Paul: And you f*cking her on my bed isn't personal?

Virgil: ... Good point.

Paul: Now give me details.

Virgil: She's a wild girl. Her moans of ecstasy had me going crazy. And the kisses were something that felt amazing and-

Paul: I want dirty details, not no lovey-dovey bullsh*t. You suck at this.

Virgil: You're just a sly.

Paul: A Sly who wants to know if it's tight or not.

 

Once you have made it to your destination, a cutscene will commence. Showing Virgil and Paul walking in the reception desk of this meat-packing warehouse.

 

Paul: Hey there, good-looking.

Receptionist: How can I help you two?

Paul: Well, there's one thing you can help me with but that's for another day. We're here to get this man right here, a job.

Virgil: Wait, what?

Paul: Aren't you looking for work?

Virgil: Well, yeah. But why here? There's no way I'd ever work here. No f*cking way.

Receptionist: The pay starts at $12 an hour.

Virgil: I'll take a look at that application.

Paul: Attaboy.

Virgil: I mean, it can't hurt right?

Paul: When can he start?

Receptionist: He can start right now if he'd like. First shift hasn't started yet.

Paul: He'll do it.

Virgil: Wait a minute-

Paul: He is so excited.

Receptionist: Follow me, sir.

Paul: Go kill 'em, Bud.

Virgil: I f*cking hate you.

Paul: You'll thank me later.

 

Virgil will follow the receptionist to a locker room where Virgil can change into more appropiate clothing for the job. Once you are all changed, you must follow her to the work area. She'll show you what you can begin doing which will be sealing packages and moving them to the next station. A QTE will appear where you must hit the right button at the right time without any errors. You will then be transfered to another station where you must also do the QTE. Once you completed that, the time will advance up until it's for you to leave. You step outside and feel the hot sun warming you up and you see Paul in his car waiting for you to get.

 

Paul: How was your first day, Bud?

Virgil: Not bad. I only got frost-bite uh, everywhere!

Paul: That's the working life, Man. Wanna go straight? Gotta do what you gotta do.

Virgil: If going straight means freezing in a meat-filled fridge til your dick feels off, then I want no part of it.

Paul: There are other jobs.

Virgil: I mean it. The nine to five life is not for me.

Paul: Actually it was like ten to almost six.

Virgil: Paul...

Paul: You want a real job?

Virgil: Yeah.

Paul: Alright.

 

Paul will pull over so you can switch to the driver seat.

 

Paul: Drive to Market St. and Jones.

 

Paul reaches towards the back seat and gets a plastic bag with a substance heavily wrapped in syran wrap and shows it to Virgil as he's driving.

 

Paul: This is what you're gonna do. I'm gonna tell you to drive to certain places to do drops offs and pick ups. Your main concern should be to make sure you don't bring back any police attention. If we get caught, we're looking at serious time.

Virgil: What is it we're dropping off or picking up?

Paul: Rule number one: Don't ever ask what you're picking up or dropping off. Makes the job easier. All you need to know is you're carrying something hot and you're selling it. Simple. Pick up, Drop off, Get paid, Drive away. Easiest money you'll ever get. Any questions?

Virgil: Uh..

Paul: Good.

 

Once you have reached your destination, you will notice another vehicle parked at the opposite direction in front of you.

 

Paul: Wait for him to flash his lights.

 

The other car flashes his lights once.

 

Paul: Now you flash 'em.

 

You flash your lights once. Then the car will start driving.

 

Paul: Now follow him.

 

You follow the other car to a desolate alleyway where you will come to a stop.

 

Paul: They will come to you. Just sit tight and have the package ready.

 

Two men will exit the other car and make their way towards you.

 

Paul: Gentlemen, I can see personal hygiene has not been good to you.

Thug 1: The package?

 

Virgil hands him the package.

 

Paul: The money?

 

The other thug will hand Paul a roll of cash.

 

Paul: Pleasure doing business, Gentlemen. Now do everyone a favor and invest in soap and new clothes. Let's go, V.

 

You will drive away.

 

Paul: Easy, right?

Virgil: They really tried to look intimidating.

Paul: They always do. Crazy Polacks. So what do you think?

Virgil: It's easy, it gets your blood pumping. I like it.

Paul: In that case, you work for me now. Now let's finish these runs.

 

Now you must complete three more drop offs to complete the mission. Once you completed all three, you are given the objective to drive back to Paul's home.

 

Paul: Good job, man. Not bad for your first day.

Virgil: Yeah, think I'll keep this job.

Paul: Good. Heres your first days pay.

 

Paul hands Virgil a roll of money with $300.

 

Virgil: Oh wow. For just one day?

Paul: For half a day. The more you do these runs, the more your pay adds up.

Virgil: Nice.

Paul: We'll do it again tomorrow. Now if you'll excuse me, I got a crazy alcoholic brunette waiting for me.

Virgil: Have fun.

 

Mission Passed

+300

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Francesco Bonomo
MISSION 4: Routine - June 9th, 1971

 

Paul has lent you his vehicle which you can utilize anytime and will spawn for you at your private parking space. Your next mission will begin between 12PM and 3PM at Paul's residence. Until then, feel free to roam around the beautiful city of Brooke-Meyer and get familiar with its beautiful sights. Like The Wilkes Square, The Davenport Shopping Centre, even The Gemini Cinema. Once you are ready to progress forward, you may do so.

 

Virgil makes his way to Paul's apartment and finds Nancy coming out. By looking at her current state, you can tell she had a crazy night with Paul. Her hair is dishevelled, her make up is smushed up, and her dress is inside out. Not to mention shes slurring her words indicating she is still drunk or high, or both. She sees Virgil coming up the steps-

 

"Heeey Virgil. You're looking good."

 

Virgil stops and responds to Nancy.

 

Virgil: Hey Nance. Glad to see you're fully clothed.

Nancy: Yeah-Wait, what?- Oh yeah.

Virgil: Anyway, Paul awake?

Nancy: Yeah he is.

Virgil: Okay.

 

Virgil walks in looking for Paul, only to realize he isn't there. He goes back to Nancy.

 

Virgil: Where is he?

Nancy: Oh, I forgot to mention, he left in the middle of the night. He told me to tell you if I saw you.

Virgil: And you saw me, and you didn't mention it. You had one job.

Nancy: F*ck you, Virgil.

Virgil: He say anything else?

Nancy: He left a note for you on the counter with a hand-writting only he can understand.

Virgil: I've known him my whole life, I can read his hand-writting.

Nancy: Okay then, have fun. Uh, you holding by any chance?

Virgil: What the f*ck, no. Paul usually keeps a stash under his bed.

Nancy: I know. It's done. Me and Paul hit it hard last night. Let me tell you, for a Jewish boy, he's got a big-

Virgil: OKAY! I get it. Can you please f*ck off.

Nancy:... Dick.

Virgil: Oh my f*cking God. Bye Nance.

 

Nancy will finally leave and Virgil will read the note that Paul left him. It reads:

 

"Yo V, I had to leave for Ohio. Won't be back for a couple or three days. In the meantime, take over my routine. I'll list everything below. You can keep anything you win. I'm gonna be looking at a big payout after this job. Take care, Brother.

 

P.S. Feel free to use my place as a shag pad. Make sure you f*ck them Lillys good so they come back, where I come in for the kill.

 

Pick Ups/Drop Offs

Pick up: Frank Massucci - 183 Korver St. - Brooke-Meyer

Drop Off: Pete Zimmerman - 1375 Oak St. - Kennedy Plains

 

Pick Up: Rich Rastagano - 1983 Todd Dr. - Romero

Drop Off: Ari Avidan - 1940 Wayne St. - Kensington

 

Pick Up: Mario Polisi - 84 Old River Rd. - Brooke-Meyer

Drop Off: Rudy Johannson - 84 Scarlett St. - Arborton

 

Pick Up: Shia Kudrow - 867 Dayton St. - Arborton

Drop Off: Jimmy Damenti - 7 Angeles St. - Madison

 

Pick Up: Eli Rudd - 53 Idlewild Rd. - Mason Creek

Drop Off: Ron Fanucci - 78 Spring St. - Brooke-Meyer

 

After your done, go to the Pisswasser Brewery in Romero and ask for Ruben Nebish, he's gonna pay you for the job."

 

After Virgil reads the letter, he'll make his way outside and you'll gain control of him. You will receive your first objective which is to go to 183 Korver St. Once you arrive, you will notice that the address is actually of an condemned house. A cherry red Albany Emperor will be parked directly across the street. Once you flash your lights, so will the driver of the Emperor. He will then slowly drive towards you and will come to a full stop right besides your driver door. Both of you roll down your windows where you see the driver's face as the high-noon sun hits his face. This is Frank Massucci, an Algonquin, Liberty City native who works for The Pavano Crime Family doing bi-weekly runs to Brooke-Meyer.

 

Frank: Where's the Jew?

Virgil: Couldn't make it. I'm subbing for him.

Frank: Oh really?

Virgil: Really.

Frank: Well I don't know who the f*ck you are, so why shouldn't I just drive away?

Virgil: If there's a problem, I'll go. But you wouldn't wanna piss off the wrong people, Aynit?

Frank: You got some f*cking balls. What's your name?

Virgil: Not important. We clear or we cross? (Are we doing this or not?)

Frank: Fine.

 

Frank will hand Virgil a dufflebag. You are not to know what's in it. Frank then hands a brown paper bag rolled up, held tight by two rubber bands.

 

Frank: Take care, Kid.

Virgil: Yeah, you too.

 

You have now completed your first pick up, now you must drop it off your next contact's location. You must make your way to 1375 Ok St. in Kennedy Plains to meet with Pete Zimmerman Like the previous location, this is also the address of an abandoned house. A man is seen sitting on the steps of the front porch. You flash your lights at him and he will signal you to come in the house. You will park your vehicle and make your way inside while carrying the dufflebag. Once you're inside the house, the man will be standing giving up a concerned look. You are unarmed, you don't know if something is going to happen to you but Virgil will maintain his cool and proceed with the transaction. The man will exclaim-

 

"Petey!"

 

Pete Zimmerman will make his way downstairs where he acknowledges the fact that you are not Paul.

 

Pete: Who the f*ck are you?

Virgil: Courier Service. Package to deliver.

Pete: What happened with Paul?

Virgil: Occupied.

Pete: Just like that?

Virgil: Just like that.

Pete: Well, that's highly unfortunate. I was really hoping I'd see him.

Virgil: Well, I'm here. And if there's anything you'd like to say to him, you can say to me.

Pete: I don't wanna say anything, Mook. Yo, Conan!

 

Conan, a tall and extremely buff Irishman will come from the kitchen area.

 

Pete: Now, look. Paul f*cked up and Conan here, does not appreciate the fact Paul f*cked his girlfriend.

Conan: Paul will pay for the destroying the only thing that was pure to me.

Pete: Now, Being that Paul ain't here, unfortunately, you gotta take his place.

Virgil: Fine.

Pete: Wait, what?

Virgil: I said fine, bring on the Mick.

Conan: He's got brass.

Pete: This is gonna be good. Alright boys, have at it.

 

You will now commence in your very first Fight. Follow the instructions that will appear on your screen and win the fight. Once you have depleted Conan's health bar, Virgil will knock Conan down and punch his face in multiple times until he is pulled away by Pete.

 

Pete: Okay! Okay! You proved your point. Damn, you got a real demon fire in you.

Virgil: Who's next?

Pete: No one. That bearer (beating) was suppose to be for Paul. Guess he wins this time.

Virgil: Any of yous touch Paul, I'll hunt you down. We clear?

Pete: Uh... understood.

Virgil: Now back to business.

Pete: Just leave the package. Here's your money.

Virgil: Pleasure doing business.

 

Virgil leaves the house and you can now have control of him and proceed to your next location. You must now drive to the city of Romero and head to 1983 Todd St. Which is the address of a garage where you'll find your next contact, Rich Rastagano, in his office.

 

Rich: You must be Paul's friend.

Virgil: I don't know what you're talking about.

Rich: Of course you don't. No one should know.

 

Rich will reach under his desk and pulls out yet another dufflebag and hands it to Virgil.

 

Rich: You know where to go, right?

Virgil: Yeah.

Rich: Okay then. Here take this.

 

Rich hands Virgil another brown paper bag also tied with two rubber bands.

 

Rich: That's for you.

Virgil: Thank you. Anything else?

Rich: Not now. But I'll ring ya up someday.

Virgil: Great. Take care.

 

Now you can make your way to your next drop off to Kensington. The address provided to you is of a mom-and-pop Polish Restaurant owned by Ari Avidan, your drop off contact. You walk in and notice images of Poland, even a full sized flag of Poland hanging over the counter. You will need to walk up to the counter and speak to an older woman cleaning the counter. She speaks with a heavy Polish accent as she greets Virgil-

 

"Welcome to Polska, I am Roza. How can I help you?"

 

Virgil stops and takes a look around.

 

Virgil: I'm looking for Ari Avidan.

Roza: Are you friend?

Virgil: Is he here?

Roza: Give me moment.

 

Roza goes to the back and exclaims Ari's name in her native language.-

 

"Ari, jakiś włoski pies szuka cię z przodu. Powiedziałem ci, żebyś nie wnosił swojego brudnego interesu do naszej restauracji." (Ari, some Italian looking dog is out front looking for you. I told you to not bring your dirty business to our restaurant.)

 

Roza comes back with a friendly face.

 

Roza: He is coming. Can I get you anything?

Virgil: No, thank you.

 

Virgil will sit and wait for Ari to arrive. Once he does, he invites to his office in the back. Walking towards the office you notice Ari is looking frail and gets multiple chills like he is cold, even though it is currently the Summer season. All of these characteristics indicate that this Ari is a junkie. As soon as you enter his office, you get right down to business.

 

Virgil: Courier Service. Package to Deliver.

Ari: Good, good. [sniff] Can I see?

Virgil: You can when you pay me.

Ari: Come on, man. Just a peek.

Virgil: I f*cking told you the condition. Pay me and it's yours.

Ari: L-L-Look, I got the money. But I wanna see. Just please let me see.

 

Ari tries to reach for the package but Virgil reacts by slapping his hand out of the way.

 

Virgil: The f*ck you doing?

Ari: Paul always let's me see the package first.

Virgil: Well I ain't Paul. You give me the money first, then you can have the package.

Ari: Y-Y-You don't understand. I need to see the pa-

 

An unknown voice comes from outside the door exclaims in an angered tone.

 

Voice: Ari! Do it now!

Virgil: Do what now?

Ari: Nothing. N-N-Nothing.

Virgil: This is too f*cked. No dice.

 

Virgil attempts to walk out the office just to be interrupted by the sound of a gun cocking behind him. He turns around to see Ari pointing a .38 Louie at Virgil.

 

Virgil: What the f*ck is this?

Ari: Just please, leave the package and walk away. Please don't complicate things.

 

Virgil notices Ari's hands are shaking indicating he is nervous. Any sudden movements and Ari could pull the trigger. Virgil's moderate training in 'Nam helps him assess the situation with slow advancements towards Ari.

 

Virgil: Listen Ari, I know you're scared. Just try to take it easy.

Ari: I'm not scared, Wop! This was suppose to be for Paul.

Virgil: Why?

Ari: He's working for the wrong people.

Virgil: Wrong people?

 

The unknown voice gets louder-

 

"I don't hear anything in there. I'm coming in there!"

 

The door is locked but it's being kicked down. Virgil must act quick and get out of there with the money. So in a swift motion, Virgil throws the package at Ari's face as a distraction. Ari shoots the package and a mist of white powder spreads out. Virgil will tackle Ari and beat him until he stays down. At this moment, the unknown voice kicks down the door and sees Ari on the ground and rushes to him. In an attempt to wake him up, Virgil will come from behind the desk and tackles the man to the ground. They both get up, at full height, the man is at least six inches taller than Virgil and more muscular as well. They have a staredown for a few seconds until Virgil throws the first punch with all his might which will get the man in a dazed state. Virgil will continue punching him until he is back on the ground, at which point, the man will try to sneak a knife into Virgil's side, aware of this, Virgil will grab the knife. The man won't let go of it so Virgil must keeping hitting him in the face whilst holding the knife with the other hand. Eventually he'll let it go and Virgil will possess it. And with the same knife, Virgil will jab it through the mans right hand and right through the floor, trapping him. Virgil will get up, grabs Ari's gun, grabs the money and rushes out of there. Once outside, Virgil will get in his car and drives away. While looking back in the rearview mirror, he sees two vehicles, a Willard Solair and a Declasse Tampa, rushing towards him. Virgil understands, he is being chased. You must lose them, any way you can. Once you do, you are in the clear. At this point, you can proceed with the rest of the jobs which will happen with no problems. Once you are finished, you must head towards the Pisswasser Brewery outside Downtown Romero. At the security check in, you must announce yourself.

 

Security: How can I help you?

Virgil: I'm looking for Ruben Nebish.

Security: Name?

Virgil: Paul Keitel.

Security: Oh. Go right in Mr. Keitel. He's in his office right up those stairs.

Virgil: Thank you.

 

Make your way through the lot and to the office. Once you enter, a man with salt-and-pepper hair will be sitting on his desk chair with his back faced towards you-

 

"You must be Paul's boy."

 

Virgil remains silent. The man speaks again-

 

"Relax buddy. I'm a close friend of Paul."

 

 

"I'm Ruben, Ruben Nebish. A proud Jew from the beautiful city of Henderson. I believe you're Virgil Assante, right?"

 

Virgil seems more relaxed.

 

Virgil: Yeah.

Ruben: Pleasure to make your acquaintance, Virgil. Is that package for me?

Virgil: Yeah.

Ruben: A man with an extensive vocabulary, I see. I like it.

 

Ruben notices the dried-up blood on Virgil's hand.

 

Ruben: Had some trouble, huh?

Virgil: A little bit. Nothing I couldn't handle.

Ruben: That's good. But I'm curious. Are you those crazy I don't give a flying f*ck about life type people or do you have more balls than brains?

Virgil: I'm someone that knows how to get the job done.

Ruben: So it seems. Give me the package.

 

Virgil will give Ruben the package of money and gives Virgil his cut.

 

Ruben: Here you go, a thousand bucks. Not bad, huh?
Virgil: Not at all.
Ruben: Good. You did a good job... Out of curiosity, who did you have to f*ck up?
Virgil: Pete Zimmerman and his crew.

Ruben: They're a crazy bunch. Anyone else?

Virgil: Ari Avidan and his crew.

Ruben: Even Hansen?

Virgil: Who?

Ruben: Big buff guy with a speck of dirt for a brain.

Virgil: Yeah, I f*cked him up also. Pinned his hand to the floor with his own knife.

Ruben: Oh wow! I'm impressed. How about this, I'm gonna jot down my address. I want you to visit me sometime to talk business. Get some more money in those pockets.

 

Virgil: Sounds good.

 

Ruben will write down his address and hands it to Virgil-

 

"I'll contact Paul first and I'll tell him. You go with him. Clear?"

 

Virgil takes the paper and stuffs it in his pocket-

 

"Clear."

 

Virgil walks away back to the car. At this moment, you have finished the mission.

Mission Passed

$1,000

.38 Louie

Edited by Francesco Bonomo

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(Ambient)

Well, I have to break the missions chain with my post. 😛

 

I'm a bit surprised that there are still people who involve themselves into writing concept threads. RDR2 hype, y'know.

Is the map finished, or not? It looks off with all those white areas, so far. You should also consider changing the way radio section looks like with posting links to the songs and stuff.

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