GTA: The Russian Story

[LuisBellic]

 

Yeah I don't know if chapters are a great idea...writing doesn't seem to be your main thing so I would go with the brief mission descriptions or dialogue like you did in TKOTC. To be honest I think you could go back and improve on that concept instead of making this new one, but it's up to you. Whatever interests you more I suppose 

I might get around to making King of The City better. I personally think the topic is just horrible. Alot of the missions are just shootouts. I have a better story planned for this topic. Sometimes I even get the feeling that im not good at making topics. Topics like TCOTS, BAAFLC, and, FRWM just sh*t all over my topics.

 

For KOTC, one of the reasons I kinda hated the story was because why would I call it "King of The City" if Willy's just some street drug dealer/small time criminal most of the game.

 

Like KOTC, in this story im using this:

 

Sergei: [say's something]

Vlad: [say's Something]

 

Im also gonna look at some other concepts/books to get some good dialouge.

Edited May 26, 2011 by LuisBellic

[Tyla]

I don't think your concepts are bad. What good is a concept if it can't be improved?

The core of GTA pretty much revolves around gun battles and car chases anyway. Drive here, kill him. Maybe taking a picture or two. Don't worry too much about a overload of shootouts. What could help you with KOTC is thinking about the reasoning behind your protagonist and his actions. If you take each mission and make a note at the bottom of it asking why would my protagonist do this? What gain is in it for him?, the concept instantly becomes 100% better in terms of story telling. If you make a really horrible, self-centred, backstabbing protagonist and place him in situations to the complete opposite of your personal morals then there you have someone who could go from dealing on the corner to self-acclaimed King of The City in the span of your story.

 

You really need to make your stories harsher. That's the let down for me, IMO.

 

If Mickey Charles - the bartender who really should be renamed - was an unlikeable character who charged an extortionate amount of rent for the illegal immigrant to fill out the back closet in his Hove Beach dive bar, the man would be far better. Especially if he constantly demands his rent from Sergei, who is so poor and unconnected he does not have it and has to collect on bar tabs to keep favour with Mickey. Mickey would give Sergei his criminal break through alcohol bootlegging - which could spawn timed side-missions better than tending bar - and their relationship would develop and prosper from there on.

 

What would also be cool would be if Mickey's "bullying" of Sergei was the direct result of some sort of middle-aged breakdown: imagine "Comrades" was once an Irish bar - Mickey having an Irish background and the McReary's apparently having power there at one point - and the shift in demographics led to hard times, which also led on to him renaming his bar Comrades and renting his back rooms out to illegals by the boatload. Also, imagine him to have once been a very athletic man. A boxer. Now he's pushing 50 and weighs 250... he's no longer a threat. No longer known, no longer respected. His trophies and memorabilia once adorning the walls of his bar have been replaced with portraits of Vlad Glebov, the local Shylock who inevitably owns a stake in Comrades thanks to Mickey's money issues and demands use of Mickey's prized collector - Sergei - much like Vlad does with Niko. He becomes a very bitter man.

 

Your first part could come full circle at Vlad's death, where Sergei would fulfil the role of 'investor' once held by Vlad and hold a stake in Comrades, effectively having ownership of his first proper safehouse. Earned connections to the Faustin Family would set the scene for your second part.

 

You just have to think things out a little better and be original. Even if it sounds terrible, I have far more respect for original ideas and characters. Hell, I'd prefer a mobster with a horribly stereotypical Italian American name than "Nathan Pelosi".

 

Good luck & keep going

[LuisBellic]

 

I don't think your concepts are bad. What good is a concept if it can't be improved?

The core of GTA pretty much revolves around gun battles and car chases anyway. Drive here, kill him. Maybe taking a picture or two. Don't worry too much about a overload of shootouts. What could help you with KOTC is thinking about the reasoning behind your protagonist and his actions. If you take each mission and make a note at the bottom of it asking why would my protagonist do this? What gain is in it for him?, the concept instantly becomes 100% better in terms of story telling. If you make a really horrible, self-centred, backstabbing protagonist and place him in situations to the complete opposite of your personal morals then there you have someone who could go from dealing on the corner to self-acclaimed King of The City in the span of your story.

 

You really need to make your stories harsher. That's the let down for me, IMO.

 

If Mickey Charles - the bartender who really should be renamed - was an unlikeable character who charged an extortionate amount of rent for the illegal immigrant to fill out the back closet in his Hove Beach dive bar, the man would be far better. Especially if he constantly demands his rent from Sergei, who is so poor and unconnected he does not have it and has to collect on bar tabs to keep favour with Mickey. Mickey would give Sergei his criminal break through alcohol bootlegging - which could spawn timed side-missions better than tending bar - and their relationship would develop and prosper from there on.

 

What would also be cool would be if Mickey's "bullying" of Sergei was the direct result of some sort of middle-aged breakdown: imagine "Comrades" was once an Irish bar - Mickey having an Irish background and the McReary's apparently having power there at one point - and the shift in demographics led to hard times, which also led on to him renaming his bar Comrades and renting his back rooms out to illegals by the boatload. Also, imagine him to have once been a very athletic man. A boxer. Now he's pushing 50 and weighs 250... he's no longer a threat. No longer known, no longer respected. His trophies and memorabilia once adorning the walls of his bar have been replaced with portraits of Vlad Glebov, the local Shylock who inevitably owns a stake in Comrades thanks to Mickey's money issues and demands use of Mickey's prized collector - Sergei - much like Vlad does with Niko. He becomes a very bitter man.

 

Your first part could come full circle at Vlad's death, where Sergei would fulfil the role of 'investor' once held by Vlad and hold a stake in Comrades, effectively having ownership of his first proper safehouse. Earned connections to the Faustin Family would set the scene for your second part.

 

You just have to think things out a little better and be original. Even if it sounds terrible, I have far more respect for original ideas and characters. Hell, I'd prefer a mobster with a horribly stereotypical Italian American name than "Nathan Pelosi".

 

Good luck & keep going 

Those are some nice ideas. Mickey seems like a pretty nice guy though. I wrote out the first mission, it's just I don't have a title. It involves Sergei walking out the bar to the subway and he get's kidnapped by some Racist bastards who plan to kill him just because he's not white. They take him to a building in Bohan. Sergei manages to fight his way out with a pistol (which he get's very mad at himself for doing) and get's away in a car.

 

The whole story is about Sergei turning from a poor drunk scared to do crimes to an intimidating good criminal.

Edited May 26, 2011 by LuisBellic

[Mati]

I don't think your concepts are bad. What good is a concept if it can't be improved?

The core of GTA pretty much revolves around gun battles and car chases anyway. Drive here, kill him. Maybe taking a picture or two. Don't worry too much about a overload of shootouts. What could help you with KOTC is thinking about the reasoning behind your protagonist and his actions. If you take each mission and make a note at the bottom of it asking why would my protagonist do this? What gain is in it for him?, the concept instantly becomes 100% better in terms of story telling. If you make a really horrible, self-centred, backstabbing protagonist and place him in situations to the complete opposite of your personal morals then there you have someone who could go from dealing on the corner to self-acclaimed King of The City in the span of your story.

 

You really need to make your stories harsher. That's the let down for me, IMO.

 

If Mickey Charles - the bartender who really should be renamed - was an unlikeable character who charged an extortionate amount of rent for the illegal immigrant to fill out the back closet in his Hove Beach dive bar, the man would be far better. Especially if he constantly demands his rent from Sergei, who is so poor and unconnected he does not have it and has to collect on bar tabs to keep favour with Mickey. Mickey would give Sergei his criminal break through alcohol bootlegging - which could spawn timed side-missions better than tending bar - and their relationship would develop and prosper from there on.

 

What would also be cool would be if Mickey's "bullying" of Sergei was the direct result of some sort of middle-aged breakdown: imagine "Comrades" was once an Irish bar - Mickey having an Irish background and the McReary's apparently having power there at one point - and the shift in demographics led to hard times, which also led on to him renaming his bar Comrades and renting his back rooms out to illegals by the boatload. Also, imagine him to have once been a very athletic man. A boxer. Now he's pushing 50 and weighs 250... he's no longer a threat. No longer known, no longer respected. His trophies and memorabilia once adorning the walls of his bar have been replaced with portraits of Vlad Glebov, the local Shylock who inevitably owns a stake in Comrades thanks to Mickey's money issues and demands use of Mickey's prized collector - Sergei - much like Vlad does with Niko. He becomes a very bitter man.

 

Your first part could come full circle at Vlad's death, where Sergei would fulfil the role of 'investor' once held by Vlad and hold a stake in Comrades, effectively having ownership of his first proper safehouse. Earned connections to the Faustin Family would set the scene for your second part.

 

You just have to think things out a little better and be original. Even if it sounds terrible, I have far more respect for original ideas and characters. Hell, I'd prefer a mobster with a horribly stereotypical Italian American name than "Nathan Pelosi".

 

Good luck & keep going 

Those are some nice ideas. Mickey seems like a pretty nice guy though. I wrote out the first mission, it's just I don't have a title. It involves Sergei walking out the bar to the subway and he get's kidnapped by some Racist bastards who plan to kill him just because he's not white. They take him to a building in Bohan. Sergei manages to fight his way out with a pistol (which he get's very mad at himself for doing) and get's away in a car.

 

The whole story is about Sergei turning from a poor drunk scared to do crimes to an intimidating good criminal.

How about White is the new Black?

[Akavari]

LB, you can ask me and Tyla for advice on your story to guide you in a good direction. We like story-related things the most, it's fun and you feel like a storyteller. If you want I can help you out with improving King of the City into something you'll be proud of.

 

 

Anyways, I love Tyla's idea of Mickey. Although it's a bit sinister and like you said, Mickey doesn't come off as a real mean guy. But him constantly pestering Sergei for rent could be a neat little addition to their relationship. I can imagine getting random phonecalls from Mickey about how you are late on your rent, with Sergei making half-assed excuses and avoiding confrontations with him. This could be the motivation for the beginning part of the game: Sergei is drowning in payments, struggling to make ends meet. Perhaps Sergei is in some kind of debt as the result of drugs/gambling/etc. Sergei starts to work for Vlad, who he met from hanging around the bar so much, in exchange for petty change to pay off his collectors. As he does this, Vlad probably has ulterior motives of manipulating Sergei to stay in his pocket. Niko murders Vlad, clearing Sergei of Vlad's control but possibly getting him involved with the Russians somehow. There are a lot of paths for this story to take.

[LuisBellic]

LB, you can ask me and Tyla for advice on your story to guide you in a good direction. We like story-related things the most, it's fun and you feel like a storyteller. If you want I can help you out with improving King of the City into something you'll be proud of.

 

 

Anyways, I love Tyla's idea of Mickey. Although it's a bit sinister and like you said, Mickey doesn't come off as a real mean guy. But him constantly pestering Sergei for rent could be a neat little addition to their relationship. I can imagine getting random phonecalls from Mickey about how you are late on your rent, with Sergei making half-assed excuses and avoiding confrontations with him. This could be the motivation for the beginning part of the game: Sergei is drowning in payments, struggling to make ends meet. Perhaps Sergei is in some kind of debt as the result of drugs/gambling/etc. Sergei starts to work for Vlad, who he met from hanging around the bar so much, in exchange for petty change to pay off his collectors. As he does this, Vlad probably has ulterior motives of manipulating Sergei to stay in his pocket. Niko murders Vlad, clearing Sergei of Vlad's control but possibly getting him involved with the Russians somehow. There are a lot of paths for this story to take.

Mickey would be like the Roman of the story.

[The Notorious MOB]

I don't think your concepts are bad. What good is a concept if it can't be improved?

The core of GTA pretty much revolves around gun battles and car chases anyway. Drive here, kill him. Maybe taking a picture or two. Don't worry too much about a overload of shootouts. What could help you with KOTC is thinking about the reasoning behind your protagonist and his actions. If you take each mission and make a note at the bottom of it asking why would my protagonist do this? What gain is in it for him?, the concept instantly becomes 100% better in terms of story telling. If you make a really horrible, self-centred, backstabbing protagonist and place him in situations to the complete opposite of your personal morals then there you have someone who could go from dealing on the corner to self-acclaimed King of The City in the span of your story.

 

You really need to make your stories harsher. That's the let down for me, IMO.

 

If Mickey Charles - the bartender who really should be renamed - was an unlikeable character who charged an extortionate amount of rent for the illegal immigrant to fill out the back closet in his Hove Beach dive bar, the man would be far better. Especially if he constantly demands his rent from Sergei, who is so poor and unconnected he does not have it and has to collect on bar tabs to keep favour with Mickey. Mickey would give Sergei his criminal break through alcohol bootlegging - which could spawn timed side-missions better than tending bar - and their relationship would develop and prosper from there on.

 

What would also be cool would be if Mickey's "bullying" of Sergei was the direct result of some sort of middle-aged breakdown: imagine "Comrades" was once an Irish bar - Mickey having an Irish background and the McReary's apparently having power there at one point - and the shift in demographics led to hard times, which also led on to him renaming his bar Comrades and renting his back rooms out to illegals by the boatload. Also, imagine him to have once been a very athletic man. A boxer. Now he's pushing 50 and weighs 250... he's no longer a threat. No longer known, no longer respected. His trophies and memorabilia once adorning the walls of his bar have been replaced with portraits of Vlad Glebov, the local Shylock who inevitably owns a stake in Comrades thanks to Mickey's money issues and demands use of Mickey's prized collector - Sergei - much like Vlad does with Niko. He becomes a very bitter man.

 

Your first part could come full circle at Vlad's death, where Sergei would fulfil the role of 'investor' once held by Vlad and hold a stake in Comrades, effectively having ownership of his first proper safehouse. Earned connections to the Faustin Family would set the scene for your second part.

 

You just have to think things out a little better and be original. Even if it sounds terrible, I have far more respect for original ideas and characters. Hell, I'd prefer a mobster with a horribly stereotypical Italian American name than "Nathan Pelosi".

 

Good luck & keep going

I like these ideas a lot man I think you should use them

[LuisBellic]

Some Mickey The Bartender missions I have planned are:

 

Helping Mickey with his Bar Work for some pay.

Helping Mickey about the guy who keeps threatening to take Mickey's bar license because of smoking.

Somehow meeting your Friend in The Courts through Mickey.

The bootlegged alchohol idea.

 

Im also going to start working on Sergei's background.

 

EDIT: The intro is coming soon. It will be called "Survival Is The Reward For Violence".

Edited May 29, 2011 by LuisBellic

[Akavari]

I don't think you should post the intro mission just yet, you seem like you only have a vague idea of how the story is going to play out..

[LuisBellic]

 

I don't think you should post the intro mission just yet, you seem like you only have a vague idea of how the story is going to play out..

I'll post it once it reaches page 3 or 4.

 

I have most of the beggining missions thought out.

Edited May 29, 2011 by LuisBellic

[LuisBellic]

Mission 1/Introduction: Survival Is The Reward For Violence

 

 

It is night time. The camera zooms down the street and stops at the door of Comrade's Bar. "Rockstar Games Presents" appears before bringing the player into the interior. Sergei is sitting down with his buddies, enjoying a bottle of Beer. He tells a joke before getting up, saying "I have to go to Subway, see you later".

 

Sergei is slowly walking down the street, slightly scared because it's night. Right when he nears the subway an old, beat up, car stops right in front of him. A man wearing a white tank top and some blue jeans walk's to Sergei, before saying "You're dead meat, boy". Sergei attempts to run but is stopped in his tracks by another man. A bag is thrown over Sergei's head and he is thrown in the trunk of the beat up car.

 

As the car drives off, the screen fades to black and "Grand Theft Auto: The Russian Story" appears on the screen. The next scene shows a dirty room. The door of it opens and Sergei is thrown into a wall by the man. The man coldly say's to Sergei "You're gonna be dead in a few minutes... you russian bastard". Sergei in anger screams back "Svoloch'!" and "Sookin syn" (Meaning "Bastard" and "Son of a bitch" in Russian). The racist man goes in another room to have a conversation. Sergei sneaks into a closet and breaks in a tool box. Sergei finds a fully loaded Pistol. Sergei sprints into the room, firing Pistol rounds at the men. Sergei and the racists all run to cover.

 

Now in gameplay, Sergei is behind a couch. Kill your kidnappers (A Pump Shotgun is next to their bodies that Sergei pick up). Sergei notices someone who looks like the leader, Sergei attempts to chase him but he runs out. Sergei runs downand exits the building (revealing to the player that it's in Bohan). You are instructed to Leave The Area. The beaten up car is in the front for Sergei to make his escape. Leave quickly or the cops will come. Drive back to Comrade's. Only Mickey is there, Sergei reveals what happened and goes upstairs of the bar to sleep. When awake, either start the next mission or do whatever you want.

 

Rewards: Escaping With Your Life

 

After the mission Mickey calls you, asking for some help with his buisness.

 

You are texted by Vlad Glebov. The message reads "Hey, yokel. I have some work if you're interested, bitch".

Edited June 10, 2011 by LuisBellic

[The Notorious MOB]

The mission is okay man but Sergei speaks english to his friends in Comrades during IV and actually has kind of a New York accent which would indicate this is how he talks normally. It kinda throws everything off for me when people don't research their protagonist. Attention to detail is the key man it makes everything a lot more authentic.

Edited May 30, 2011 by Money Over Bullshit

[The Lolwut Pear]

Also, I doubt Vlad would refer to Sergei as "Yokel", that's more of a derogatory term to refer to Serbians or Eastern Europeans.

[Sanjeem]

I agree with the above but also would like to know who the kidnappers are?

[LuisBellic]

 

I agree with the above but also would like to know who the kidnappers are?

You'll find out in a later mission for Vlad.

 

 

The mission is okay man but Sergei speaks english to his friends in Comrades during IV and actually has kind of a New York accent which would indicate this is how he talks normally. It kinda throws everything off for me when people don't research their protagonist. Attention to detail is the key man it makes everything a lot more authentic.

I rewatched the cutscene for Clean Getaway and I think he sounds pretty russian. Maybe if I made Sergei born somewhere in russia, he could speak english but sometimes cusses in russian. Oh... and if you're talking about the part I posted about him telling a joke in russian, that was just a small mistake I made there. I fixed it.

Edited May 30, 2011 by LuisBellic

[LuisBellic]

Does anyone have a good title for a bootlegging alchohol mission?

[blitz]

Something to do with irish people, I guess, because that's were booze came from?

 

"Drink Ye' Old Scum"

[LuisBellic]

Mission Name: Bringing In The Drink

 

Mission Giver: Mickey The Bartender

 

 

Sergei walks inside Comrade's and sit's down, letting out a small yawn. Mickey greets Sergei before a small conversation begins.

 

Mickey: Can ya help me with something.

Sergei: Yeah, what is it?

Mickey: I have some alchohol coming in through the docks in East Hook.

Sergei: Wait, is that the illegal sh*t?

Mickey: Yeah... I know it's a risk. But do you really wanna spend time in the bar without anything to drink.

Sergei: I see. How am I supposed to bring it in.

Mickey: Don't you have that buddy of yours?

Sergei: Rustam?

Mickey: Yeah

Sergei: I could ask them.

Mickey: Ask them.

Sergei: Okay, I will. Im not in the mood of staying in here without some beer. (Get's up)

Mickey: See ya later, Sergei.

Sergei: Bye, Mickey. (Walk's out of the door).

 

Once outside, Sergei will automatically call Marko.

 

Rustam: Who the f*ck is it? Im trying to sleep.

Sergei: It's Sergei. Sorry for being your annoying alarm clock but I need some help with something.

Rustam: What?

Sergei: Mickey told me to bring in some alcohol.

Rustam: I do that all the time. It won't be hard at all.

Sergei: Alright, come meet me.

 

 

Sergei automatically calls Rustam and he later pulls up in a truck. Sergei hops in the back and Rustam gives Sergei some Pistol ammo, saying "You might need it". Once at the docks, Sergei and Rustam step out and walk to a man, telling him that they're there to help. The man then orders Sergei and Rustam over to a truck. It then shows some boxes loaded up to the docks on a crane. Use the action button to pick up a crate. Walk over to the truck and drop it in. After getting a crate in, a police cruiser pulls up nearby. Sergei and his friends quickly get in, Sergei saying "Oh sh*t. If we get caught im f*cked". Even though you escaped with no problem, you will still need to carefully drive the truck. If it is damaged to alcohol inside will break and the mission will fail. Once it's in the back of Comrade's, the mission will be complete.

 

Rewards: $100

Edited June 10, 2011 by LuisBellic

[XTREME0235]

I cleaned up this topic a bit by deleting all the posts in a row you made.

Please just edit your posts in the future instead of adding a new one each time, it's classed as spam.

 

I gathered all the data from those posts and merged them into one so this topic isn't spammed up with clutter.

I'm sure you would appreciate it.

 

Keep that in mind for the future.

[The Notorious MOB]

I dont really like that Saiga 12 icon man.. it looks a bit plain or something.

 

Here's a slightly better one:

 

 

TLWP was also working on one... if he's not using it maybe you could ask him for it.

[Tycek]

I don't mean to be picky, but I think the dialogues are a bit too soft. They (especially Sergei and his friends) are talking like Junior High School students.

 

Way of transporting the alcohol is also quite weird. Normally bottles of alcohol are packed onto palettes, which are packed into container, so theoretically you'll have only one box to load on the truck, but you would need at least Flatbed to haul it to some lockup.

[LuisBellic]

 

I dont really like that Saiga 12 icon man.. it looks a bit plain or something.

 

Here's a slightly better one:

 

 

TLWP was also working on one... if he's not using it maybe you could ask him for it.

That ones better thanks.

 

@Tycek I changed it to one crate. That's how Sergei talks to his close friends but it's different for characters you meet later in the story.

Edited June 10, 2011 by LuisBellic

[Mati]

LB's also in the beliebers?

Anyway, I agree with Tycek. This ain't KOTC, I have a feeling that some of your quotes even sound a bit ''gangsta'' which doesn't fit.

If you need help with the soundtrack, feel free to ask me.

[LuisBellic]

LB's also in the beliebers?

Anyway, I agree with Tycek. This ain't KOTC, I have a feeling that some of your quotes even sound a bit ''gangsta'' which doesn't fit.

If you need help with the soundtrack, feel free to ask me.

I've been a bit bothered by the dialogue. Im having a bit trouble finding good words and stuff. Writer's Discussion could always help though.

[King Mystery]

So, the list of weapons. Where'd you get those pictures? I've been seeing them everywhere but nobody can tell me where they got them from...

[LuisBellic]

So, the list of weapons. Where'd you get those pictures? I've been seeing them everywhere but nobody can tell me where they got them from...

They're made by different members on the forums.

[King Mystery]

So, the list of weapons. Where'd you get those pictures? I've been seeing them everywhere but nobody can tell me where they got them from...

They're made by different members on the forums.

Okay, thanks.

[LuisBellic]

I'll post an update in a while. I've been reallly busy.

[LuisBellic]

Here's a new mission for anyone who's interested.

 

Mission Name: Paying Up

 

Mission Giver: Vlad Glebov

 

Vlad rings up Sergei sounding angry, he asks Sergei if he can go to some sh*tty taxi place to meet him. Upon arrival, Vlad is screaming at a serbian (Roman Bellic) complaining how he doesn't have his money. Roman nerviously says "My cousin Niko can pay you, he should be here in just a bit, his boat should be coming tonight, i'll get in my car to see if it's near. Vlad shouts back "Get my money you fat pig, I also like Mallorie".

 

Sergei and Vlad start a conversation as Roman leaves:

 

Sergei: Why do you act like an asshole?

Vlad: Haha, I never thought you would have balls to say that. He hasn't payed me f*cking money!

Sergei: Why do you need money from everyone?

Vlad: Because these asshole owe me it! Also.. Sergei help me get it.

Sergei: Im not a goddamn Loan Shark.

Sergei: Screw it.. I will.

Vlad: Grea!..

Sergei: But you have to pay me.

Vlad: I may.. or I may not.

Sergei: Im not a bitch Vlad. I just need some money.. do you know that I have to sleep inside a damn bar?

Vlad: Fine bastard.. but you better not f*ck it up or i'll cut your balls off and feed them to the Ratman in the subway.

Sergei: You know thats just a rumor right?

Vlad: Just hurry and do it you bastard. He's inside house 1661R in Dukes. Call me when done.

Sergei: Alright.

 

After leaving the door, one of Roman's taxi's can be taken. After finding a car, drive to the house.

Once you finally arrive, a man looking about in his fifty's is watering his lawn. Sergei pushes him and politely ask's him to hand over Vlad's money. He calmly responds "Vlad? I don't know a Vlad". Sergei grabs the hose out of his hand, at the same time bringing out "Don't play stupid with me you old bastard". You are now able to use the hose to wet the old man. When doing so, he starts weeping and gives the money to Sergei. He then threatens to call the cops on Sergei, which he replies "Don't even think about that" before spraying some water in his face.

 

Sergei calls Vlad to tell him he got done with the job:

 

Sergei: Okay.. I got your money, im done.

Vlad: I don't think you are. Some spanish lord bitch still gave me no money! Go near the Spanish Lord clubhouse in cerveza heights and get it back.

Sergei: I don't think messing with gangsters is a good idea.

Vlad: I don't think you not getting my money is a good idea. Do it. Im about to call this yokel.. I might cut his cock off. (Which leads to the phone call in The Cousin's Bellic).

 

Go to the clubhouse (which was seen in King of The City during "Cerveza Lords"). A man is waiting out there. He is talking to his buddies about how some asshole (Vlad) is always taking his money. Sergei runs towards him and shouts and your money is getting tooken again! He commands his friends to kill this "Russian Asshole" and runs inside an alleyway. Sergei pulls out his pistol and takes cover behind a parked Calvaclade. After killing to two gangsters run towards the spanish lord (who tripped while running). Sergei simply say's "Give Vlad his money or you'll end up like your two buddies over there". The lord gets up and hands Sergei Vlad's money before running off screaming "Vlad's a pendejo!".

Sergei goes to Comrade's to return Vlad's money, only Mickey is there so Sergei ask's him to hold on to it and give it to Vlad when he comes back.

 

Rewards: $500

[Sam998]

I love the weapons. I think you should add details to all of them when you get a chance though, especially the chainsaw and the axe.

 

Nice work.