Shoud I give her a fourth chance?

[K-Malo94]

if she even asks. Ok so I im currently in high school right now and I met this girl last year. Me & her instantly became close friends. But as time past, I realized that she had developed feelings for me. She told me she loved me and wanted to be with me. I was confused at the time because i had never been in a relationship before so I rejected her leaving her heartbroken. as more time past we decided to still stay good friends but she still had feelings for me. So recently in the past couple of months, I decided to give our relationship a chance. In school we started spending a little more time together, but for some reason it felt a little awkward. At first i was relieved but then i started to feel uncomfortable with they way we've been acting towards each other. I told her that I wanted to make it work and we kinda got back together, but shortly after she called me explaining that she didn't think she would stay faithful to me because i found out she lost her virginity to some guy she was still friends with. So we broke up... again. I still felt extremely upset because she started to ignore me. I decided to confess my true feelings to her. I told her that I was going insane over how we've been treating each other like strangers and she told me that she still loved me and i was the one she wanted to be with. she told me she was just going through a lot problems and didn't want me to see her all stressed out. so we got back together... again. it was great at first, but then she started acting strange towards me. Like i was bothering her all the time. i asked her if anything was wrong and if she just wanted some space, but she kept insisting that everything was fine. that still didn't explain why she seemed to be ignoring me. i tried to talk to her about it but she just kept kinda avoiding the subject. today during class she started texting me saying just it wasn't working out. she said i was being too clingy and she wanted to call it off... again. I was so f*cking pissed! I couldn't believe was I was seeing. First of all we hardly have any time to see each other. When we do see each other I try to make the best out of the little time we have to be together. but she would always go off with her friends, leaving me in the dust. How is that being too clingy? When ever we talked to each other she preferred to text me instead of calling or talking in person even if we're in the same room. She said she wanted to be happy, so i told her that i wanted her to be happy, even if she got with somebody else, but she said she just wanted to be alone. She said she still loved me but now im having doubts. Her friend told me that she was hanging out with some other dudes. I feel like she was just leading me on. She really messed with my heart and now i feel like a fool. i dont know what to do. i still have feelings for her and everything but i cant keep going through this cycle. should i try again or just move on. i still haven't heard form her yet. im just waiting for her to talk to me, but im expect the worse. Sory i dont mean to tell my whole life story, but i just really need some help right now.

 

[makeshyft]

A paragraph (from the Greek paragraphos, "to write beside" or "written beside") is a self-contained unit of a discourse in writing dealing with a particular point or idea. Paragraphs consist of one or more sentences. The start of a paragraph is indicated by beginning on a new line. Sometimes the first line is indented. At various times, the beginning of a paragraph has been indicated by the pilcrow: ¶.

 

A written work—be it an essay or a story—is about an idea or concept. An essay explains it; a story narrates it. To help the reader understand and enjoy it, the explanation or narration is broken down into units of text, the paragraph. In an essay, each paragraph explains or demonstrates a key point or thought of the central idea, usually to inform or persuade. In fiction, each paragraph serves to advance the plot, develop a character, describe a scene or narrate an action—all to entertain the reader. All paragraphs support each other, leading the reader from the first idea to the final resolution of the written work.

 

Keyboarders normally indent paragraphs three to five word spaces—based on what they were taught in school—while professionally printed material such as books and magazines generally use smaller indents. For example, The Elements of Typographic Style states that "at least one en [space]" should be used to indent paragraphs after the first, noting that that is the "practical minimum". An em space is the most commonly used paragraph indent. Miles Tinker, in his book Legibility of Print, concluded that indenting the first line of paragraphs increases readability by 7%, on the average.

 

Other techniques are possible. Lines can be outdented to signify the start of new paragraphs. Another technique is to insert vertical space between paragraphs. This creates what is sometimes known as "block paragraphs". Some keyboarders use a double carriage return to create this break, whereas typists using word processing applications may use increased leading to create a more pleasing space between paragraphs.

 

Many published books use a device to separate certain paragraphs further when there is a change of scene or time. This extra space, especially when co-occurring at a page or section break, may contain an asterisk, three asterisks, a special stylistic dingbat, or a special symbol known as an asterism.

[Jay]

I prefer to use tab indenting. Gives a uniform and professional finish.

 

Also, when structuring essays I tend to use double line breaks between paragraphs to separate my arguments/introduction. Not only does it squeeze a few more inches out of the paper, but it makes proof-reading even more easier.

 

And let's not forget the merits of capitalisation and syntax! Such cornerstones of communication - when ignored - tend to make people gloss over what you're trying to say.

[K-Malo94]

A paragraph (from the Greek paragraphos, "to write beside" or "written beside") is a self-contained unit of a discourse in writing dealing with a particular point or idea. Paragraphs consist of one or more sentences. The start of a paragraph is indicated by beginning on a new line. Sometimes the first line is indented. At various times, the beginning of a paragraph has been indicated by the pilcrow: ¶.

 

A written work—be it an essay or a story—is about an idea or concept. An essay explains it; a story narrates it. To help the reader understand and enjoy it, the explanation or narration is broken down into units of text, the paragraph. In an essay, each paragraph explains or demonstrates a key point or thought of the central idea, usually to inform or persuade. In fiction, each paragraph serves to advance the plot, develop a character, describe a scene or narrate an action—all to entertain the reader. All paragraphs support each other, leading the reader from the first idea to the final resolution of the written work.

 

Keyboarders normally indent paragraphs three to five word spaces—based on what they were taught in school—while professionally printed material such as books and magazines generally use smaller indents. For example, The Elements of Typographic Style states that "at least one en [space]" should be used to indent paragraphs after the first, noting that that is the "practical minimum". An em space is the most commonly used paragraph indent. Miles Tinker, in his book Legibility of Print, concluded that indenting the first line of paragraphs increases readability by 7%, on the average.

 

Other techniques are possible. Lines can be outdented to signify the start of new paragraphs. Another technique is to insert vertical space between paragraphs. This creates what is sometimes known as "block paragraphs". Some keyboarders use a double carriage return to create this break, whereas typists using word processing applications may use increased leading to create a more pleasing space between paragraphs.

 

Many published books use a device to separate certain paragraphs further when there is a change of scene or time. This extra space, especially when co-occurring at a page or section break, may contain an asterisk, three asterisks, a special stylistic dingbat, or a special symbol known as an asterism.

Thanks. That actually distracted me from my thoughts...

[anus]

It's possible she's one of those sisters who only chases someone till the person likes them back, and when they do, they just end it (personal experience from when I was younger).

[Ottae]

She sounds like an attention seeking crazy bitch. Move on man.

[boxmonster]

So you fell for a slut, no shame in that. Don't give her your juice boxes and Reese's cups anymore.

[AnotherDave]

It might not be easy, but you need to move on. She may well want to get back together with you at some point in the future, when she's bored of "hanging out with other dudes", but don't let it happen. It's not worth the hassle and heartache.

[ChossenOne]

Move on, mate. Actually...

RUN AND DON'T LOOK BACK!

The chick sounds wack.

 

You're still in high school, you're still young, there's plenty of other sane ladies out there and plenty of time to find one.

Oh, and the next time you see her, ignore her.

[Rebel]

She sounds like a crazy bitch. Don't give her the time of day, even if she starts bothering you again just don't give in since you'll keep going around in circles if you don't break the cycle.

Move on, and like others have said don't look back.

[Vanilla Shake]

I was in a similar situation in high school. She is what we call an "attention seeking whore". Just ignore her. Be warned, though; once you do start ignoring her, she might all of a sudden want that attention back, and if you give it to her the end result would be you getting let down again. So just move on.

[Canofceleri]

Man... for a minute there I thought we were going to have good discussion on paragraphs. Mods, lock this, it's gone too far off track.

[TheSiggi]

She sounds like an attention seeking crazy bitch. Move on man.

This.

 

Title already says it: 'fourth' chance? come on for f*cks sake, let it lie and go on!

[ska]

She sounds like a nut, to be honest. Just move on. If she actually cared enough for you, she wouldn't be doing the things you described in your post.

 

Attention seeking whore sounds more like it.

[cactus.]

@Mikey,

 

You've got to rise up and overcome, and as Ottae said "move on." I'll be honest, I purposefully avoided your abyss of text, but the title says it all. A fourth chance? f*ck no man. Have some self respect!

[Andrewbot]

Best one-word answer I can give someone have relationship drama in high school:

 

Run.

[K-Malo94]

Maybe all you guys are right. I cant stand the heartache anymore. Its gonna be hard but I gotta do it for me.

[GTA 360]

Move on, go get a girlfriend that knows how to treat someone with respect, That's what I'm gonna do, hell, we're both young, move on, we both have the majority of our lives ahead of us and we can't afford to waste it on people that don't give it back.

[Moonshield]

tldr;

 

 

Girl is bitch. BITCH.

 

Also, asking for advice on women at GTAF is generally hazardous to your health.

[chris]

Fourth chance?, f*ck that.

[gizmo]

A paragraph (from the Greek paragraphos, "to write beside" or "written beside") is a self-contained unit of a discourse in writing dealing with a particular point or idea. Paragraphs consist of one or more sentences. The start of a paragraph is indicated by beginning on a new line. Sometimes the first line is indented. At various times, the beginning of a paragraph has been indicated by the pilcrow: ¶.

 

A written work—be it an essay or a story—is about an idea or concept. An essay explains it; a story narrates it. To help the reader understand and enjoy it, the explanation or narration is broken down into units of text, the paragraph. In an essay, each paragraph explains or demonstrates a key point or thought of the central idea, usually to inform or persuade. In fiction, each paragraph serves to advance the plot, develop a character, describe a scene or narrate an action—all to entertain the reader. All paragraphs support each other, leading the reader from the first idea to the final resolution of the written work.

 

Keyboarders normally indent paragraphs three to five word spaces—based on what they were taught in school—while professionally printed material such as books and magazines generally use smaller indents. For example, The Elements of Typographic Style states that "at least one en [space]" should be used to indent paragraphs after the first, noting that that is the "practical minimum". An em space is the most commonly used paragraph indent. Miles Tinker, in his book Legibility of Print, concluded that indenting the first line of paragraphs increases readability by 7%, on the average.

 

Other techniques are possible. Lines can be outdented to signify the start of new paragraphs. Another technique is to insert vertical space between paragraphs. This creates what is sometimes known as "block paragraphs". Some keyboarders use a double carriage return to create this break, whereas typists using word processing applications may use increased leading to create a more pleasing space between paragraphs.

 

Many published books use a device to separate certain paragraphs further when there is a change of scene or time. This extra space, especially when co-occurring at a page or section break, may contain an asterisk, three asterisks, a special stylistic dingbat, or a special symbol known as an asterism.

quote of the year sir.

[Tommy-Vercetti19]

Shouldn't of gave her a chance the second time bud. No point in settling down in high-school, well that's what i think anyways. You have the rest of your life to settle down.

[Typhus]

When you listen to your heart instead of your head you may as well give up all hope for being happy.

Love makes you a slave, it clouds your reason and makes men delude themselves into altering their personality for the prospect of getting between a womans legs. It's a fools game and you have come to a fools end. No shame in it, most people fall for the same trap.

You're a victim because you allowed yourself to be victimised, and all because of a simple human need to have some companionship and a good lay.

 

Maybe you should try to break some hearts yourself. Use people, have meaningless sex followed by a dashing escape out the window, reduce them to a sobbing wreck in the corner. You're owed a little payback. I suppose you could murder her, but as the clingy ex-boyfriend you'd probably be the prime suspect

[Max]

sane ladies

An oxymoron (plural oxymorons or oxymora) (from Greek ὀξύμωρον, "sharp dull") is a figure of speech that combines contradictory terms. Oxymorons appear in a variety of contexts, including inadvertent errors such as extremely average and literary oxymorons crafted to reveal a paradox.

 

The most common form of oxymoron involves an adjective-noun combination of two words. For example, the following line from Tennyson's Idylls of the King contains two oxymorons:

 

"And faith unfaithful kept him falsely true."

 

Other oxymorons of this kind examples are;

 

* Dark light

* Living dead

* New Classic

* Open secret (supposedly a secret but it has leaked)

* Vintage Modern

* Virtual reality

 

Less often seen are noun-verb combinations of two words, such as the line

 

"The silence whistles"

 

from Nathan Alterman's Summer Night.

 

Oxymorons are not always a pair of words; they can also be devised in the meaning of sentences or phrases.

 

Richard Lederer assembled a taxonomy of oxymorons in an article in Word Ways in 1990, running from single-word oxymorons such as "pianoforte" (literally, "soft-loud") through "doublespeak oxymora" (deliberately intended to confuse) and "opinion oxymora" (editorial opinions designed to provoke a laugh). In general, oxymorons can be divided into expressions that were deliberately crafted to be contradictory and those phrases that inadvertently or incidentally contain a contradiction, often as a result of a punning use of one or both words.

 

Oxymorons are sometimes inadvertently created by errors or sloppiness in conversation; common examples include extremely average, objective opinion, original copy, and definite possibility. In some cases an inadvertent oxymoron ends up being widely adopted as the name for some concept and ceases to be recognised as an oxymoron. Cases where this has occurred include bittersweet, virtual reality, constant variable, and living dead.

[Claude4Catalina]

kick her in the c*nt and move on.

 

topic lock yet?

[cactus.]

An oxymoron (plural oxymorons or oxymora) (from Greek ὀξύμωρον, "sharp dull") is a figure of speech that combines contradictory terms. Oxymorons appear in a variety of contexts, including inadvertent errors such as extremely average and literary oxymorons crafted to reveal a paradox.

 

The most common form of oxymoron involves an adjective-noun combination of two words. For example, the following line from Tennyson's Idylls of the King contains two oxymorons:

 

"And faith unfaithful kept him falsely true."

 

Other oxymorons of this kind examples are;

 

* Dark light

* Living dead

* New Classic

* Open secret (supposedly a secret but it has leaked)

* Vintage Modern

* Virtual reality

 

Less often seen are noun-verb combinations of two words, such as the line

 

"The silence whistles"

 

from Nathan Alterman's Summer Night.

 

Oxymorons are not always a pair of words; they can also be devised in the meaning of sentences or phrases.

 

Richard Lederer assembled a taxonomy of oxymorons in an article in Word Ways in 1990, running from single-word oxymorons such as "pianoforte" (literally, "soft-loud") through "doublespeak oxymora" (deliberately intended to confuse) and "opinion oxymora" (editorial opinions designed to provoke a laugh). In general, oxymorons can be divided into expressions that were deliberately crafted to be contradictory and those phrases that inadvertently or incidentally contain a contradiction, often as a result of a punning use of one or both words.

 

Oxymorons are sometimes inadvertently created by errors or sloppiness in conversation; common examples include extremely average, objective opinion, original copy, and definite possibility. In some cases an inadvertent oxymoron ends up being widely adopted as the name for some concept and ceases to be recognised as an oxymoron. Cases where this has occurred include bittersweet, virtual reality, constant variable, and living dead.

makeshyft, is that you?

[Potato Boggle]

Rape.

It's the only way.

[Vanzant]

It worked for Forrest Gump.

[trip]

I couldn't read the OP because I was born with a weird visual perception issue. Really, ask my mother. Without any breaks I'm likely to reread the same sentence over and over again, not knowing to skip down a line to continue. Many years of visual therapy and I am able to survive, but I guess my therapy had its limits.

 

To answer your question based on the subject title - No one deserves a 4th chance. Since I didn't read the OP, does the 'fool me once' idiom apply to this situation?

[Claude4Catalina]

Rape.

It's the only way.

it's not the only way, it's just the most time/cost effective way.

Chloroform costs alot less than a nice suit and an expensive dinner, and considering the OP'er is a videogame player, he probably suffers from the same premature ejactulation problem as the rest of the gaming community.

 

sorted