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To Outline Or Not To Outline


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Wanted Assailant

Are you NOP (Non-Outline People) or OP(Outline People)?

 

NOPs are the writers who have no possible pre-planned data for their funsy tales. They just frolic through the beautiful meadow and jot down the down the characters and plot that sprouts in their mind.

 

OPs are the writers who set out an outline plot with much specifications. Reworking plot patterns until it sees fit, making sure the storyline is directed the way it should.

 

There's both positives and negatives in these types of writers. An OP can build a soldily structured plot, but will not most likely have the freshness annd spontaneity the NOPs are known for. An OP fights his characters and images, chaining and torturing them until they go into a right submission. Although, they might veer off taste that would would make his plot original. NOPs have the gift of being joyful along the way with the showering of water over their heads, but they might be stomached from the fact that some brilliant archs might be scattered along a confused building of plots.

 

 

I'd have to be an OP through the first quarter of the piece, but mostly after all of it, I'm a NOP inevitably throughout.

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I'm a NOP unless I've got writer's block and then I'm a OP while I'm waiting for the block to clear. In a way, it's a lot better to wait and take your time with something (just not as much time as me mercie_blink.gif ), because then you get a really solid story. icon14.gif

 

I'm a NOP unless I've got writer's block and then I'm a OP while I'm waiting for the block to clear. In a way, it's a lot better to wait and take your time with something (just not as much time as me mercie_blink.gif ), because then you get a really solid story. icon14.gif

This little problem just got me a new symbolic character for AM, which I am so glad for. colgate.gif

 

Now, for the love of god, let me write this thing!

I try to write at least a summary for my writing, because I find if I'm too anal regarding my plots, narratives and chapters, I get bored and complacent very easily. I assume the audience knows as much as I do, and therefore consider it boring when it's bound to seem monotonous to me after months of planning. To you, the audience, it's going to sound brand new and fresh (not blowing my own bugle here, but I mean brand new and fresh in the sense that you haven't seen it yet) but that's an obstacle I have to face.

 

Then again, if I write spotaneously, I dry up, and then desperate clutch at straws to find a satisfying ending and maybe even "the stuff that goes in the middle" if I'm doing really badly.

 

I'm fighting this however by not planning too rigidly. In 2009, I hope to build up quite the portfolio of novellas and short stories, and I'll be doing this through rough outline sketches of ideas, consisting of beginning, middle and end. Hopefully this will give me enough incentive to write and keep myself entertained without drying up.

Spaghetti Cat

Nice Topic...maybe it should be a poll?

 

I tend to paint in broad ideas at first. There maybe a specific idea that starts the snowball down the hill, but I tend to chew on that idea in my head like a tough piece of gristle. Plot and theme can come to me pretty quick. Characters and dialog usually take a bit of work. Once it starts to take rough shape, I can then find something that ties it all together.

 

Usually for me that event is stress, either finical or GF (or both) that will trigger something. Then it's like a sponge filled with water, everything comes flowing out. First-draft's are never pretty, but if I can get a structure and rhythm going then i can hang the layers of character development on top of it.

 

So I guess rough OP in my head and then NOP in practice, but by then its natural.

 

BTW 1st post in the Writers' Discussion forum woot!

Struff Bunstridge

NOP, definitely. Great for writing short stories, as it can be quite easy for me to get bogged down in details if I try and plan it too much. Not so good, however, for my only effort at a longer piece so far, The Diary, which stuttered and stopped due to lack of forethought.

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