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Bruce Khansey
  • Bruce Khansey


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Posted 03 November 2017 - 09:58 AM Edited by Bruce Khansey, 03 November 2017 - 09:59 AM.





YEAR: 1980


GENRE: Heavy Metal




1. Lightning to the Nations – 4:00

2. The Prince – 6:27

3. Sucking My Love – 9:35

4. Am I Evil? – 7:21

5. Sweet and Innocent – 3:13

6. It's Electric – 3:50

7. Helpless – 6:05



One of the albums that changed my life.


United Kingdom, 1980.

We're in the golden age of the New Wave of British Heavy Metal, While some bands like Iron Maiden, Def Leppard, Motörhead and Saxon definitely made it and got into the mainstream scene, other bands like Angel Witch, Praying Mantis, Tygers of Pan-Tang and Tokyo Blade drowned in the limbo of the underground scene.

The most underrated of those bands, however, are definitely Diamond Head, later known as Metallica's greatest musical influence. I would describe this band as the link that joins Led Zeppelin and Heavy Metal. Their most famous album, the one I'm about to review, is Lightning to the Nations, known as "The White Album", due to the lack of an actual cover.


I won't write hundreds of lines, I think these reviews are made for a quick read and to tempt/encourage other people to listen to these album we chose; what I'm going to say is that if you're into classic heavy metal and hard rock from the early 80's, then this album's definitely for you.


Why has it changed my life? Because I tried so hard to find other bands with a sound like this, and apart from Angel Witch I still haven't found another.

Songs like "Sucking My Love", "Helpless" and the terrific, monumental "Am I Evil" will tell you more about the golden age of Heavy Metal than anything or anyone else. There are more guitar riffs in these songs than in an entire discography of a moder days metal band.


Rough sound, fresh songwriting, originality, great guitar work, pounding drums and clean, earthshaking vocals will lead you into 40 minutes that every hard rock/metal fan should know by memory!

  • unbid

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Posted 14 November 2017 - 07:44 PM Edited by unbid, 14 November 2017 - 07:45 PM.

Melody of Certain Damaged Lemons (2000)
By: Blonde Redhead

I started listening to this album after I learned that Rick and Morty used this particular song for one of their characters. I like that song and I decided to give the album a try on Spotify.

This one is the 5th studio album released in the year 2000 from an alternative rock band called Blonde Redhead. At first glance, you can see that this album has dark and grim tone to it, and I can tell you that it will getting darker at the end. The album itself contains many variations of genre, from Alternative Rock, Post-Punk, Electronica, Dream Pop, to the grim Chillout tune as the closure for this album. Although the first 10 minutes of the album are very enjoyable with the flow that match on each songs, the rest have an off-putting flow that makes the album flow very stagger, especially with the inclusion of Electronica and Dream Pop in the middle of grim rock ballad.

There are several songs that definitely deserve my highlight:
- "In Particular", the 2nd song of the album which has a dark-ish Dream Pop tune to it which complements the intro very well

- "Melody of Certain Three", a fast-paced Rock tune that reminds me of later years Blur but with more pace and cheer-y grim tone

- "For the Damaged", a very dark song, accompanied with the slow-paced acoustic, somber vocal, and dark lyrics that represent the album very well.

- "For the Damaged Coda", the song that became popular thanks to Rick and Morty. Has the same formula as the previous song, but only has scream for help as the lyrics which is why I said that this is the perfect ending for a dark themed album.

The last two songs I mentioned goes well together, but alas, both are separated by another song which breaks the flow of the album. Fortunately, someone did a God's work and combined these two into a wonderful masterpiece.

Now, I'm not a fan of something dark and gloomy, and this album is no exception for something that I might heavily consider to get despite my love with some of the songs on this album. Besides that, I recommend this album if you want to find something new to add into your music collection.
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  • Spadge

    Hoochie Coochie Man

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Posted 08 December 2017 - 07:49 PM Edited by Spadge, 18 December 2017 - 10:49 PM.



Just take a listen, just came out. Can't do a critique, it's too new. All I know is I like it. Spent the day in bed & Jacky are my to favs so far.

  • Mr_Rager

    October 2011

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Posted 12 December 2017 - 10:11 PM Edited by Mr_Rager, 12 December 2017 - 10:25 PM.

nothing,nowhere - reaper


nothing,nowhere as far as I know is a one man act, which considering the sound he's crafted, is pretty cool. n,n takes the bedroom trap rap style Bones introduced earlier this decade and combines it with both midwest emo and the more post hardcore inspired screamo emo. Although that sounds odd on paper, it all comes together to create this sound that's both new and aged with nostalgia. I was really impressed with this project, although I hope he doesn't abandon what makes his music unique, as it's tempting to try to make generic trap bangers.

Best tracks: houdini, black heart


Marilyn Manson - Heaven Upside Down


Manson has really gotten their sh*t together musically since Pale Emperor, which was the first good album the band released since Holy Wood. What made Pale Emperor so good was the new, blues inspired sound that the group incorporated into the record. The production fit Manson's cry for help vocals, which was consistent throughout. On this new album, the blues sound is pretty much gone. What were given is a pop version of Antichrist Superstar, infusing modern trap production, like on Say10, but with the aggression of the Manson of old, like on We Know Where You f*cking Live. As much as I enjoyed hearing a bit of the old Manson, it's just too polished. The new production elements work, but not with the other half of the equation. Lots to like here though, but it doesn't justify its existence like Pale Emperor did.

Best tracks: Blood Honey, Say10


  • SeroH

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Posted 03 January 2018 - 08:56 PM

Returning with reviews :D



Imogen Heap - Ellipse

Release date: August 24th, 2009

Genre: Dream pop, Folktronica, Ambient

Label: Megaphonic


Review: I think some guys would know her thanks to the "mmmm whatcha say" (Hide and Seek from her former album Speak for Yourself) and then that excerpt became a meme and used on a Jason Derulo song. In my case I know her thanks to her 1998 album IMegaphone and her project Frou Frou. Then Imogen made that is far away from her "best moment" in 2005, Ellipse hits the nail on the head with something fancy and eclectic, First Train Home gives a nice mood of synthpop and mellow rhythms, while Wait it Out takes a soothing path which is like a mixture of neo-classic Olafur Arnalds and soothing Kate Bush. But Earth disappoints me a little, the style isn't bad but as a matter of fact it brings me back to Speak to Yourself. Swoon is the same as Earth, not my type (you guessed it). Tidal reminds me the style of Frou Frou, the iconic mellow DnB style, then Between Sheets feels soothing at all, right? The after-shower electro pop Bad Body Double is kinda interesting, and now here the best park, If I could put Little Bird, 2-1, The Fire and Canvas at the end of the album, both tracks are the most soothing and chilling best part of Ellipse.
Favorite tracks:

  • First Train Home
  • Wait it Out
  • Tidal
  • Between Sheets
  • Little Bird
  • 2-1
  • The Fire
  • Canvas

9.0/10 - Highly recommended




B. Fleischmann - I'm Not Ready for the Grave Yet

Release date: October 5th, 2012

Genre: IDM

Label: Morr Music


Review: I am not only focused on great British IDM/ambient talents, as I can't believe there's great talents from Center Europe, I think I am gonna have a zealotry and forget Aphex Twin and Boards of Canada forever (just kidding :p ). Bernhard Fleischmann is such an interesting guy, just like other IDM artists. And this album gives anything that you would really enjoy, pure experimentalism of instruments and genres. It is likely a soup mixed with IDM, glitch, grime, post rock and folk. I stand out the Bernhard vocals on tracks like Don't Follow, I'm Not Ready for the Grave Yet and Your Bible is Printed on Dollars. Post rock influenced Who Emptied the River, This Bar and At Night the Fox Comes. And Beat Us, a grime influenced track which reminds me some Emika and Flying Lotus songs. I highly recommend to discover far beyond from UK.


Favorite tracks:

  • Beat Us
  • Who Emptied the River
  • I'm Not Ready for the Grave Yet
  • This Bar
  • Tomorrow
  • Your Bible is Printed on Dollars


8.5/10 - Recommended

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